Admiral Rodney St Lucia Rum Collection

Yes you read that right…..collection. You see, one of the best examples of 100% Coffey Column Rum is soon to gain a younger and an older sibling. Part of the new strategy from the new owners of St Lucia Distillers, Groupe Bernard Hayot (also owners of Rhum Clement and Rhum JM) is to introduce a shake up of the current ranges from the distillery and to breathe new life into the distillates from their amazing collection of stills. The Bounty range seems to be getting a push outside of St Lucia, the 1931 releases are becoming part of the Chairman’s Reserve brand and the Admiral Rodney range gains two new expressions and a rebrand of the original. I’ve written extensively about St Lucian rums here, about the Chairman’s Reserve range here, and more importantly about Admiral Rodney here.

But allow me to elaborate with a bit of marketing bumf and the story of Admiral Rodney.

Admiral George B. Rodney, 1st Baron Rodney KB (1718-1792) was a famed and brilliant naval strategist. A gambler and a collector of the spoils of war. He will historically be remembered as the Admiral who broke the French line at the Battle of the Saints thus ensuring the British domination of the Caribbean.

It’s nice to see the range expanding and to also see how the range is has been renamed. The original Admiral Rodney will renamed as HMS Royal Oak whilst the two new additions will be HMS Princessa and HMS Formidable. Due to a stroke of good fortune, I have a small sample of each to review today. So without further ado, let’s dig in.

Admiral Rodney HMS Princessa – 40% abv- Traditional Rum

HMS Princessa was originally a Spanish vessel but was captured by the British in 1780 at the Battle of Cape St. Vincent. Captained by Charles Knatchbull with Rear Admiral Francis Samuel Drake aboard, this 70 gun ship of the line was one of the first ships to engage the French in the Battle of the Saints.

The rum itself is as alluded to earlier, the product of the Coffey Column at St Lucia Distillers. The still which was commissioned in 1984 has 45 plates. The Rums set down to mature for the Admiral Rodney Range are taken from the lower plates of the still. The distillates are matured in ex bourbon oak and are aged between 5 and 9 years prior to blending.

Tasting Notes

Nose: Light oak. Vanilla. A fair dose of astringency and pepper. Light creme patissiere on a buttery vanilla slice. Vague hints of banana chips and honey. Quite soft. Maybe the lightest drop of almond. Really well-balanced.

Mouth: Initial sweetness. A touch of tannic oak. Quite a pleasant bite of alcohol. White pepper teases the tongue as the oak encourages you to chew the rum. A beautiful dryness with a hint of tobacco. Banana yoghurt. Light custard with caramelised brown sugar. A well-balanced finish that shows great integration of all components but it is all butterscotch, green apple and pepper underpinned with a drying oak

4 / 5

Admiral Rodney HMS Royal Oak – 40% abv- Traditional Rum

HMS Royal Oak was in the vanguard of ships to engage the French in the Battle of the Saints. Captained by Thomas Burnett, the Royal Oak manoeuvred skilfully and brought to bear all of her 74 guns on the enemy for the duration of the battle. With 8 men lost and 20 wounded, Royal Oak played an integral role in the first skirmishes of the battle.

Again taken from the lower plates of the Coffey Column, the distillates are matured in ex bourbon oak and are aged between 7 and 12 years prior to blending.

Tasting Notes

Nose: That delightful Admiral Rodney toasted coconut and oak leads things. Savoury vanilla leads into Cherry. Christmas mince pies. A hint of Nutmeg. Powdery cocoa. Roasted peanuts and Bourbon oak. A touch leathery. Chocolate coated peanuts

Mouth: Again there is an initial sweetness before the drying oak forces itself in. Better mouthfeel than I remember. Feels a lot fuller. Some Stewed stone fruit sweetness but this is definitely spice and spicy oak driven. Nutmeg. Pepper. Chocolate coated peanuts. Saliva inducing dryness rolling across the tongue. Mild vanilla and banana. The finish is of a medium length with a touch of sweetness courtesy of caramel and raisins before the spicy, peppery oak barges through and takes over

4 / 5

Admiral Rodney HMS Formidable – 40% abv- Traditional Rum

Launched in August 1777, HMS Formidable was Admiral Rodney’s flagship in the Battle of the Saints. Formidable was in the centre of the British fleet and took advantage of a sudden change of wind to break the line and sail into the French fleet unleashing her 98 guns on Admiral de Grasse’s ships.

This time the distillates are aged for between 9 and 12 years prior to blending.

Tasting Notes

Nose: Really really intense. More of everything. Properly cutting and nose tingling acetone takes you by surprise. Based on the first sniff I’d question whether this had a touch of pot still but I know it’s 100% Coffey Column. Crazy good. A beautifully intense oak and spice driven nose. Honey. Raisins and dried tropical fruit. Such a big oaky nose. Toasted coconut. Tobacco. Chocolate. Heavy bourbon cherry. Mixed roasted peanuts and hazelnuts. Pear drops….really. Furniture polish. Creosote. This is properly impressive

Mouth: Quite a gentle well-balanced entry. Pear drops. Astringent oak. An underlying sweetness being kept at bay by the crushing power of the oak influence. This has plenty going on. Puff pastry mince tarts. Mixed candied fruit peel. A little citrus oil. Milky, sweet coffee. Hot chocolate with marshmallows. Candied warm peanuts. A light smoke. There’s so much depth and complexity to this Rum…..you have to remind yourself that it’s a Coffey Column spirit. Beautifully long and chewy finish full of cutting, drying oak. That furniture polish and nail varnish lingers in the vapours. Warm peanuts, raisins and more of that coffee carries through but the oaken influence is the star. Very very good rum

4.5 / 5

The new additions really do step things up a notch. The youthfulness of the HMS Princessa makes it a really intriguing addition to the range and one that I really do rather like. HMS Royal Oak is the solid performer and it feels as though the blend has been tweaked slightly for the better. But the real star of the show is HMS Formidable. It just in possession of so much complexity it really shows how good a tool the Coffey Column still is. So fully of complexity and enjoyment.

Yes I’d love to experience all of the range at between 43 and 46% and I really do believe that this is something that should be investigated for the range in the future….even as special releases. The market that is interested in Admiral Rodney as a product really does demand it.

St Lucia Distillers have really stepped up their game and given the array of Rums that they have in their warehouses, maturation in differing casks and the complex array of available Rums from their wonderful stills at their fingertips, St Lucia is definitely my third favourite Rum producing Island!

© Steven James and Rum Diaries Blog 2018. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content.

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An Interview with Nikos Arvanitis – Rum Traveller

Copyright Nikos Arvanitis

Nikos Arvanitis will be familiar to most of my Facebook Rum forum frequenting audience. He’ll also be more than familiar to Rum Festival attendees throughout Europe. In fact his biography reads very well:

Nikos Arvanitis has been working as a bartender since 2006. Rum is his passion and his desire to understand it led him to the Caribbean. Living in Barbados and using this island as his base, he has visited 30 islands of the tropical zone of the “West Indies” and over 45 distilleries and sugarcane fields, both active and inactive. His journey is still on, it will soon be reflected on paper and he has named it “From the West Indies to the World”.

Nikos Arvanitis through his travels and speeches is trying to spread the traditional production process of Rum and the culture of the Caribbean people.

He is a member in the jury panel and an instructor in rum presentation, in several European Rum Festivals (Berlin, Paris, Poland, Greece, Spain etc.) and bar shows.

Instructor of Rum in Bar Academy Hellas

Copyright Rum Diaries Blog

On a personal level, I have known Nikos for around three years and during that time we have conversed a lot about life, Rum and everything in between. During our period of friendship I have seen Nikos grow into a very well-respected spokesman for Rum and an evangelist for the history and tradition that exists within the Caribbean. More recently he has become a very active independent spokesperson for the Gargano / Seale Classification and a campaigner and activist for Pure Rum and raising the category in general.

I was fortunate enough to meet Nikos earlier this year in his natural habitat….a Rum distillery. The distillery in question was Foursquare Rum Distillery in Barbados and it was also my first Rum Distillery visit. We chatted for a while, walked through the distillery with Richard and sampled untold delights in the Foursquare Tasting Room. We also shared a pretty eventful taxi ride with him.

Open and honest is all that I have known from Nikos and I’m giving his full, unedited responses to my questions. No cutting, snipping or leaving out of any detail. Hopefully you’ll see that his responses relay the passion that he has and the high regard in which he holds Rum as the true essence of the Caribbean and its people.

1 – For those that may not already be familiar with you and your work, explain to them what your project “From the West Indies to the World” is about.

From the West Indies to the World

It’s a personal project including photos, thoughts and notes for the real side of Caribbean islands and the connection between the locals and the Rum, through the eyes of the unknown reality.

Sugar cane fields, unknown dead estates, Rum Distilleries and traditional Rums.

In short, it’s my lonely trip-wandering in the tropic zone of the West Indies. Personal experiences, emotionally charged stories, culture, people. I don’t travel the easy way. I’m visiting places that they are really inaccessible to many white people and also I organized the 95% from all these trips myself, without sponsors, companies etc. The final collection of these experiences is the reason that this project is born, and due to that, I don’t focus only the to rum and the production process..

I’m not an author / writer and I do not even want to be. I just have the feeling and the belief that the experiences created to share. This project is an extension of me and the opposite.

The ultimate goal of my project is to make as many people as possible respect and fall in love with the Caribbean, the local culture, the people and finally the distilleries that are keeping alive and  unchanged the traditional production process of the spirit we love the most.

2 – Your travels are followed by and envied by many people….including me. One thing that often gets said to people like me is that to truly understand Rum and all that it is, you have to visit distilleries. Just how many countries and distilleries have you visited?

I would like to speak on a personal level without meaning that it’s either wrong or right. Yes, I clearly believe that if you don’t visit the Caribbean by yourself and the distilleries as well, it’s really difficult to understand rum. There’s a huge difference between the word ‘knowledge‘ and the word ‘understanding‘. Countless sites on the Internet with completely different opinions and misleading information, distributors, companies and ambassadors talk about rum and they’ve never touched sugarcane in their life. So there is misinformation and false information about rum. When I visited the distilleries I acquired a complete image, totally different to the one I had before. And yes, I was reading and attending seminars. But I figured that it wasn’t enough. It was like I was going inside the glass and becoming one with rum. Of course, it is important that the people of the distilleries are also honest with you. I was lucky (and a pain in the ass for them)

I have visited in total 30 islands of the Caribbean tropic zone. The number of distilleries is 45 out of 50. My last trip was in Haiti and trust me, Haiti is a unique situation. It’s a category by itself.

Copyright Nikos Arvanitis

3 – I personally see you as a direct link to Rum producers that are not active on social media and have little to no online presence. Do you think that your relationship with these Rum producers is vital in bringing the plight of forgotten and overlooked distilleries such as the Callwood Distillery in the BVI and River Antoine in Grenada into the spotlight?

The first time I saw distilleries like the ones you mentioned, I said to myself, “I will spread all over the world about these distilleries-Caribbean’s heritage”.
I saw this subject in a very romantic tone. It is truly a shame that 90% of the whole world does not even know the existence of wonderful rums like these. But the most important thing is that they do not know the passion, the love and respect that the people who surround distilleries have for their rums. Their existence is the link between the past and the present. And if you do forget the past, the heritage and the history, the future is cloudy and uncertain…

Copyright Nikos Arvanitis

4 – Apart from your project and the Rum, what continues to drive you to travel to these places?

People. Certainly people. The human relationships that I created there are by far the most important school of my life. They changed my worldview. I’m not the same person as I used to be before. At least I do not act and think the same way.

I adore the warm climate. I don’ really like the cold and I am freezing really quick and easy. I am not really sure if I will survive this winter in Paris. Hahahaha. Yeah, Paris is going to be my base for the following year(s)…

Finally, the word “vibe“. I can’t explain this feeling in a few words. It’s something much deeper. The vibe in the tropic zone makes me happy and above all, I’m 100% myself. Something I have never experienced before in the big European countries even in my own country, where the friendship and human relationships are in the second or even third fate. Unfortunately…

Copyright Nikos Arvanitis

5 – You’re a firm advocate of the proposed Gargano / Seale Classification. Explain the classification for those that may not be aware of it. Why you feel that it is so important?

Usually, my presentations for this matter last like 4 hours…..So I believe it’s a little bit difficult to explain in a few words.

Yes, I am a 100% supporter of this wonderful classification. It was the middle of 2014 I think when Richard (Seale) firstly introduced me to this classification in one of my weekly visits to Foursquare distillery. When I saw the classification I told to myself: “Yes, this is the only way to have a better and promised future for the category of Rum, to put things in a row and first of all to give Rum the respect it deserves”. Two years later I found Luca (Gargano) in one of his trips in Barbados. He also helped me understand the classification. So, my communication with the two most influential persons of the Rum world plus my personal research was the common link for the final result…..to spread this classification all over the world.

This Classification focuses to the type of the producer, the type of the still and of course at the distillery statement. I believe that this last thing is the biggest problem in Rum. The 70% of rums of the global market haven’t got a distillery statement. This is really bad.

This classification it’s not about what’s good and what’s bad. Tasty or not. Originally, it’s a chronological order of the history of distillation and is based on facts. There is a separation between the traditional production process and the modern.  This doesn’t mean that tradition overtakes modern methods, but we surely have to have a different approach to an original artisanal Rum from an industrial one.

Finally, some people say that this classification is a copy of the Whisky’s classification. This is not true, not at all and please if you don’t understand the role of the classification, don’t judge. Open your mind and be more Caribbean…I am always open for conversations about this subject, contact me and it would be my pleasure to help you have better understanding about the classification.

Copyright Nikos Arvanitis

6 – Your time spent with Rum producers has seen you spearheading the important job of communicating the classification through your interactions on social media and your presentations to industry and consumers. Do you see knowledge of the classification spreading throughout the community to the point that there is a basic understanding already when you talk to the industry and consumers?

First of all I really need to share with you that NONE of the producers ever told me what to say in my presentations or to promote specific Rums (I am not a f****n promoter or brand ambassador and I will never be). I was In Berlin some weeks ago and someone came to me and said that: “You promote the rums of your friends distilleries”. This is not true. I love to promote the Rums I love and the distilleries who still respect the Caribbean’s heritage and tradition. It’s true that I have a personal connection with many distilleries like Worthy Park, Foursquare and others but this connection is more a friendship and match to our beliefs than a business. The people out there who know me personally, know this much better than anyone. The situation with the association is something new but all of us used to fight about the traditional production process of the Rum many years ago, but our voice is heard by a lot of people only in the last 2-3 years. The customers really want to know more about the Rum and this is wonderful. The promise I am giving is that I will always act 100% as Nick and I will do the best to raise the category of the Rum.

7 – A large proportion of the Rum producers appear to fear the classification. Why do you think that is?

From my point of view, the main reason is that they initially believe that if they accept this sort of classification, it is like neglecting what they say so many years about their products on the market. I think that they are only interested in the rise of their own label and not rum as a spirit. We all have to understand that sales cannot go up in a particular bottle if the category is not developed in general. You cannot deny that tradition, not least the complicated production process of rum, should not go into the same sink as modern industrial products. They cannot have the same prices and above all the word “artisanal” on their bottle. So yes, I think they initially think of their sales which is not true because if the rum is classified and developed in general, this will be a good thing for everyone. Speaking so much time for the world market, I will give a personal example from my own country that reflects what I have said. See it as a miniature of the market.

Ambassadors who have never touched a still, have not bitten sugar cane, have never walked in the Caribbean, have not spoken to locals and have not understood the rum, continue to promote products that are in the company’s portfolio, for which you do not know the existence of the distillery (which of course does not exist), so-called spiced easy rums and pure alcohol full of flavors and sweeteners, industrial products that have nothing to do with the history of the island are being produced. How do you orient yourself in the market by telling lies and having the main goal of selling your own only products and at the same time looking for the good for the future of rum? It can not be done. Quite simply because there is no love for rum and the Caribbean but love for your dominance in the market and the word “monopoly“.

The shawls have no pockets. What is the essence if you are not faithful to your values ​​and your beliefs as a person and you adapt to what the system imposes on you…?

8 – Do you think that the Classification will ever become industry standard?

I am very optimistic and positive as a human and yeah man, I believe that it will. Already you can see a great rise of the artisanal Rum in the global market and this is wonderful and makes me very happy. But I don’t like to use the world “industry” next to the word “Rum“. Let’s use another term: “The World of Rum” is much better I think.

From me and my team, there is a promise that we will do all we can to build strong foundations in this classification and we will fight for it through presentations, seminars, articles etc. What is the essence of human being as if you haven’t got something to fight for??

Copyright Nikos Arvanitis

9 – Do you think that having a Geographical Indication for Rum production will become the natural progression?

Yes, I believe that this is the path. Jamaica for example, is fighting about this. But I would like to make a general statement on this really important subject.

In Jamaica we have distilleries that make completely different rum in a totally different way. In particular, it’s not possible to consider a pure single rum from Worthy Park or Hampden with that of Clarendon. Yes, these three distilleries take place in the same island, they are all Jamaican, but the Rums are completely different. The production process as well. In Clarendon they use a small amount of Rum from Batch distillation. The majority of the final blend is coming from distillation in Multi column ethyl alcohol plant. This does not happen in the first two distilleries I mentioned earlier. So, I say that simply saying Jamaican Rum is not enough because there is diversity within Jamaican Rum.

They all rely on some common elements in the production process, but at the end of the day the final products are completely different. So, just the world Jamaican Rum I don’t feel that it’s enough.

There must be also control to the independent bottlers with no distillery statement. I’m tasting very often rums like these, let’s say a Barbadian Rum, and this rum has nothing to do with the traditional rums of the island. The same happens also with other bottlings. Personally, I find it unacceptable to add sweeteners, aromas and other extras that literally do not respect the distillery, the history and the heritage of the island, and also the tradition, except some special situations. Of course, the majority of these independent bottles haven’t got distillery statement on the labels and at the same time they say that they choose personally the best barrels from the distilleries. They didn’t .They just bought these rums from other companies. Be careful with the false marketing terms. I really would like to see better control and balance between the distilleries and the independent bottlers in future. If the rum is not even close to the character of the distillery and the distillery bottlings, don’t give the permission to the independent companies to make the bottling. The master distiller has to taste the rum and if he agrees, enter the name of the distillery and his signature. So everyone cannot bottle whatever they want. Quite honestly, I believe this.

Copyright Nikos Arvanitis

So there we have it…..an amazing amount of passion and a completely open forum for Nikos to give his true, unedited opinions.

I’d like to personally take this opportunity to thank Nikos again for his agreement to undertake this interview and I hope that I have given him the platform which he deserves.

© Steven James and Rum Diaries Blog 2017. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content