SMWS R11.5 Flaming Rum Bananas

Back into it with my first visit to a SMWS bottling from Jamaica. This one is from Worthy Park……the name could almost be a giveaway. There really isn’t too much that I can tell you about Worthy Park that I have not covered elsewhere. So a little click here……or here might assist. 

What I CAN tell you is that they’ve been producing some excellent Rum since the distillery was re-opened in 2005 and at the recent UK Rumfest in London, I got to try a couple of new under the counter bottles. 

The first was a 17 year old Rum. This would’ve been from one of their early 2005 distillations on that lovely big Forsyths double retort. It was the WPL marque and was bottled at 54.72%. It really was everything that you’d want it to be. 

The second was unaged cane juice distillate. The marque was WPE-CJN and it was bottled at 50.29%. I’m not sure that I have the correct superlatives to describe this. It’s both wildly expressive and vibrant whilst also being an absolutely huge Rum. I’m told by those that have visited Worthy Park that smelling it in the glass captures the very essence of walking around the distillery. One day. I can only hope. 

I’m very hopeful that both will see a release at some point. 

Anyhow…….onto the bottle in question. 

SMWS R11.5 Flaming Rum Bananas – 66.1% – 0 g/l additives 

Distilled on May 1st 2010, this bottling was matured in a refill ex bourbon barrel and bottled at 7 years of age. My assumption is that the majority of that time was spent in the cooler European climate. An outturn of 273 bottles, this weighs in at a hefty 66.1%. I’d also suggest that this is a WPL marque. Now I usually take the naming convention with a pinch of salt…….but Worthy Park does equate to Bananas in my mind. 

Tasting Notes 

Nose: A little uptight initially from the pour. This one needs a decent chunk of time to open up a little. Buttery vanilla slices. Coconut mochi. A little hint of the vegetal pings in and then swiftly disappears. We get some of the familiar and “classic” Worthy Park profile. Beautiful black breakfast tea. Bananas aplenty. Overripe and baked into a banana bread…..a brown sugar sprinkling on top and maybe some baked in chocolate chips. Dried banana chips covered in milk chocolate. A touch of barrel spice. Not as forthcoming as a lot of the distillery bottling’s that I’ve tried. 

Mouth: Now we’re talking. THIS is what I was hoping to find more of on the nose. It really is in full on classic Worthy Park attack. Remarkably drinkable given the 66 degrees of alcohol that it’s packing but my word it is silky, all encompassing and it fully envelopes your tongue. Banana. Banana. Banana. Almost Tempus Fugit Creme de Banane with its chocolate and banana bread. This carries good depth. Bannofee pie with with ginger biscuit base. Chocolate coated banana and coconut chips. Spice bun. Sweet milky tea. A hint of Maltesers. The mid palate ushers in spicy black and Szechuan peppercorns. Mace. Cinnamon. Fragrant allspice. Fresh ginger root. Plenty borrowed from the barrel. The finish is a full presentation of what preceded it with perhaps the addition of a slice of spice bun drizzled with molasses. That banana remains ever present though.

In conclusion: A little disjointed from nose to palate if I’m being honest. The nose would be a solid 2/5 but the expressiveness of the palate and its classic nature when given time really lifts the experience. It’s not up to the standard of some of the distillery bottling’s, or even some of the other independent bottling’s such as from the Thompson Brother’s, though that one in particular carries more age. Not a classic. It doesn’t give fully to what we know that Worthy Park can give, it feels too restrained on the nose. It remains pretty solid though.

© Steven James and Rum Diaries Blog 2022. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content.

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Holmes Cay Mhoba 2017

My interest and appreciation of the output from Mhoba should be apparent to anyone that has visited this site previously. I have a few multi bottling reviews (here and here)and one very large reference piece charting the origins of Mhoba Rum and it’s founder, Robert Greaves here. Robert is a man that I have a great deal of time and respect for. Not only does he produce great Rum, he’s also an extremely humble, open, honest and likeable man. So imagine my delight when I found out that another person that I also consider to be thoroughly decent was bottling a Mhoba product. That person is Eric Kaye and along with his partner in crime (and wife), Maura Gedid, they are independent bottlers Holmes Cay. 

Holmes Cay have grown slowly but surely since my first encounter with Eric and their products back at Rumfest in 2019. Their mantra is “No Additives. No Adulteration. Just Rum”……and it is one that I fully support and can get on board with. Spanning Australia, Barbados, Belize, Fiji, Guyana, Jamaica, Mauritius, South Africa and Trinidad, they’ve not been too shy to encourage exploration beyond the Caribbean. Sadly, they’re also unavailable here in the UK outside of Rum auction websites and that is a real shame. 

How therefore have I come to acquire this bottling. That is all thanks to a coffee and a ham & cheese toastie at the Starbucks around the corner from Crewe railway station in October last year. Eric had been in Liverpool exploring the delights of the Main Rum warehouse and uncovering some new treats to bottle. Eric had kindly agreed to meet me in a stop off on his way down to London. I duly collected him from the station and we seconded to the sterile wasteland that is a Starbucks in a railway town on a weekday mid morning. I took some samples of quite coveted bottles for Eric to try and he kindly gave this bottle in return…..and a pretty cool hat too.  I also got to try a couple of samples, straight from a plastic Starbucks cup, of some insanely good upcoming bottling’s. Even then, they shone through their dire, drab surroundings and provided a brief journey to another place, if only for a second. 

So enough talk of trains, hats and sterile coffee shop environs, let’s move into the Rum. 

Holmes Cay Mhoba 2017 4 Years Old – 59% abv – 0g/l additives

As the name would suggest, this is a Mhoba bottling distilled in 2017 and bottled in 2021. It was bottled at its barrel strength of 59% abv and drawn from an ex-South African Whisky barrel (number 49). The barrel was one of a batch obtained from the James Sedgewick Distillery in Wellington, South Africa. Sedgewick’s produce Bain’s Cape Mountain Whisky which is a Grain Whisky (can be made from any grain including unmalted Barley, Wheat, Corn & Rye) and Three Ships which is a Single Malt Whisky (Malted Barley). That parcel of barrels contained both malt and grain whisky barrels, all barrels were old and therefore very well used, and Robert being Robert, he refurbished around 2 in 10 barrels by removing material and re-toasting. Due to the losses to evaporation (the temperatures are at Caribbean levels but with greater fluctuation of highs and lows) the casks were consolidated, therefore it is likely that any releases from the 2017 ex-South African Whisky barrels may have seen time in both ex-malt and ex-grain whisky barrels. 

Tasting Notes

Nose: We often say that distilleries have a signature aroma, honed from their techniques crafted and perfected over a number of years, Robert has definitely achieved that in a short space of time with Mhoba. It’s like a unique blend of high ester Jamaican output, unaged agricole from the French West Indies, the heavier and massively appealing (to me) pot still side of cane juice and the glue-y output from Fiji. But that amalgamation is quintessentially Mhoba. 

Vibrant, bright, ester laden sugarcane juice. Light acetone. Plastic. Model glue. Lingering fuel aromas on your hand following filling up the tank. Earthy notes of turmeric, saffron, ginger root and freshly foraged mushrooms creep in. Layers of complexity keep building and revealing themselves as the glass sits. A fruitier side reveals itself with sticky caramelised pineapple, pineapple upside down cake, manuka honey. Imagine oily lemon and lime rind covered in powdered sugar. White wine. A really unshakable candyfloss note. Wafts of chocolate coated raisins, toffee pennies. Complex and rewarding……and more unnervingly, approachable.

Mouth: Initially there is an unmistakable and prominent liquorice root……those little wooden sticks that rewarded constant chewing with earthy, rooty, bitter and occasionally sweet liquorice. Robust, oily and possessing plenty of grip on the palate. As you sit and take repeated sips that sweetness grows with toffee pennies, pineapple cubes and tinned pineapple juice. Beautifully controlled acidity. Citrus oil. Sticky and almost damp muscovado sugar being added to a spiced fruitcake mix. Liquorice. Honey on toast. Sugared almonds. A drying and spiced mid palate which is where the barrel influence first shows itself, and it brings white pepper, ginger juice, baking spices. The finish is a touch shorter than I would’ve liked but it builds towards it on the preceding sips to leave that drying sweet, bitter and woody liquorice root, sugared almonds, peaches and maybe a hint of coffee at the death. 

In conclusion: This rum is on the lighter side of the Mhoba output. Way less wood influence than their usual offerings and it feels more approachable for it, but don’t let that make you believe that it is lacking in any way. Quite the opposite. It is complex, rewarding and shows great development from nose to palate and into the finish. Robert has again produced an exemplary distillate and Eric has been smart enough to snap it up and bottle it. A perfect match. 

4.5 / 5

© Steven James and Rum Diaries Blog 2022. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content.

Yeast in Rum (or S. Pombe Revisited)

Following on from the three part collected article titled “Aeneas Coffey, John Dore and Foursquare”, Richard Seale posted an in depth look at “Yeast in Rum” in a 6 part series on his personal page, with his agreement I have again collated them into one single reference article below.

Yeast in Rum (or S. Pombe Revisited)

Part One – Yeast History

Back in October/November 2019, I created a quite a stir with some comments and a very brief post challenging some of the myths being created around the novel sacred cow that is S. Pombe yeast. At Foursquare we carry out natural fermentations (which contain S. Pombe) and having made some ‘high ester’ rums last year, it seems a good moment to make a further comment giving more details on the work of Jamaican chemists Percival H Greg, Charles Allan and S. F. Ashby.

A Little History:

Yeast cells were among the first microbes seen in early microscopes and some of the earliest observations concluded it was produced by fermentation rather than the agent of fermentation. In 1755, Dr. Johnson is his famous dictionary defined ‘yest’ as ‘the foam spume, or flower of beer in fermentation’. See also his cross reference with the definition of ‘barm’.

Lavoisier (1789) investigated wine fermentation by qualitative methods and could not find a role for yeast in the reaction that produced alcohol. However, by this time scientists believed yeast (or ferment as it was called) played a role in starting the process. Berzelius called this catalysis. German Scientist Theodor Schwann identified yeast as a living organism and call it ‘zukerpilz’ – the sugar fungus (or sugar mushroom). His colleague Franz Meyen that provided the modern latin name in 1838 – saccharomyces cerevisiae – literally ‘beer sugar-fungus’ for the species of yeast in common use today (through the use of thousands of strains of the species). Pasteur also supported the idea that fermentation was a biological process, that is a process by living organisms.

Famed German biologist Justus Von Liebig disagreed with this ‘vitalist’ theory arguing that alcoholic fermentation was a purely chemical process – no living organisms were involved – and this led of one of the most famous disputes in Science. Liebig believed the yeast was kind of nitrogenous organic compound which decomposed the sugar and a product was deposited described as an insoluble ferment. This ferment could be used as ‘ferment’ in another sugar solution. Pasteur would eventually settle the debate through a set of brilliant experiments.

Ultimately neither scientist was entirely correct or entirely wrong. Eduard Buchner obtained pure samples of the fluid inside the yeast cell and discovered that the fluid could ferment a sugar solution despite the fact the yeast cell was obviously dead. He realised that fermentation reactions were a chemical process inside the yeast cell by what we know today as collection of enzymes. So alcoholic fermentation is after all a bio-chemical process. Buchner would publish his work in 1897 for which he would be awarded the Nobel Prize.

Pasteur’s work would extend to improving wine making. He observed that soured wine was caused by the presence of lactic acid. He further observed that sour wine contained not only oval yeast cells but small rod shaped bacteria. While alcoholic fermentation occurred via yeast, lactic acid fermentation occurred via bacteria. Pasteur developed the process of heating the wine to a specific temperature for a short time to kill the bacteria a process we know today as ‘pasteurisation’ which would eventually find widespread use in the beer, milk and juice industries.

Danish mycologist Emile Christian Hansen, working at the Carlsberg Laboratory would take yeast understanding a step further. Pasteur had not fully solved the problem of brewing cloudy and off tasting beer despite pitching bacteria free yeast cultures. Pasteur had seen yeast as homogeneous cells, Hansen was the first to isolate different strains/species of saccharomyces yeasts. He discovered that certain strains were directly responsible for the cloudy beer and so by isolating and selecting particular strains for the brewery the problem of cloudy and sour beer could be solved. So now it was necessary to not only eliminate bacteria from beer fermentation but also so called ‘wild yeasts’.

The work of Liebig, Pasteur and Hansen are important to understanding the work of two giants of the Jamaica Rum industry – the planter and distiller Leonard Wray and the chemist Percival H Greg which we will consider in Part two.

 

Part Two – Wray and Greg

Leonard Wray (family to the more familiar J Wray) published his famous treatise in 1848 and his understanding of fermentation was based on the work of Liebig.

For Wray, the nitrogenous matter that would initiate fermentation was already contained in the raw material and so no yeast (or ferment) needed to be added:

“it is seen that molasses and skimmings each contain sugar, gluten, and water; so that fermentation will occur spontaneously in them without the intervention of any foreign substance, such as yeast”

As Lavoisier had quantitatively demonstrated before him, Wray stated the elements of the yeast (the glutenous or albuminous matter) “take no appreciable part in the transposition of the elements of the sugar ; for in the products resulting from the action, we find no component part of this substance”

For Wray, as Lavoisier, the yeast had no part of the final product, for Wray “the peculiar flavour of rum is generally understood to proceed from the resinous, aromatic gum (or essential oil), contained in the rind of the cane”.

Wray relayed an anecdote which marvelously echoes today:

“It is not more than a few days ago, that I was asked by a person why yeast was not used by our sugar planters as ferment instead of dunder ; intimating in very significant terms, that he considered all the West India distillers a very choice pack of fools. Now, this person says that he has been for a long while manager of one of the largest distilleries in the world. He has written a pamphlet on distillation, with a view to enlighten the minds of all distillers, and no doubt fancies himself possessed of all possible knowledge of the subject. And yet this person, who is a clever man, and no doubt very competent to instruct English distillers, does not know what dunder is, or what is its use in the fermentation of wash.”

Wray in his seminal work put his erudite view in the strongest terms, “no foreign agent — such as yeast — is necessary. Nay, further, that such is extremely undesirable ; as it would change altogether the character of the fermentation” (my emphasis).

Wray’s understanding of fermentation was not precisely correct but in practical terms, he was not wrong. Moreover, he was prescient. Everything needed for fermentation was indeed there, no ‘foreign agent’ was needed but the rise of pitched yeast with isolated, sterile yeast strains would forever change the fundamental character of rum fermentation not just in Jamaica but in every rum producing country. Today, just a handful of rum distilleries operate under Wray’s philosophy, almost all of them in Jamaica, most notably the Hampden and Long Pond Estates in Trelawny.

The first serious challenge to this approach would come from Percival H. Greg. Greg was the first chemist to isolate individual strains of yeast as found in Jamaica distilleries. Greg was strongly influenced by the work of Emile Hansen and travelled to Copenhagen to work at the Carlsberg laboratory under the supervision of Hansen’s colleague, Prof. Alfred Jorgensen. At the Carlsberg Lab, he conducted a series of experiments on molasses and dunder sent over from Jamaica. Greg became convinced of the merits of isolating, selecting and pitching a strain of yeast as was now becoming practice in breweries and distilleries around the world. Writing in ‘The Sugar Cane’ in 1893, Greg advocated:

“Not only must we do away with spontaneous fermentation by using a ‘pitching’ yeast, as brewers term it, i.e. adding some previously prepared yeast to set our vats in fermentation at once, but I strongly recommend the selection and cultivation of a suitable type of yeast in a state of absolute purity”

Greg was not alone in his ideas. Pairault (1903) and Kayser (1913) also suggested that starter culture yeasts for rum production should be selected. Both Pairault (1903) and Kayser (1913) recognized that bacteria were also endemic to rum but in their view they negatively impacted on production efficiency and quality. Fahrasmane (2002) reported that “after 1918, some distillers in the French West Indies who wanted to increase the alcoholic yield decided to put into practice the advice of Pairault and Kayser on pure fermentations. Although the result was an increase in yields, the quality of these products evidently fell because of their increased chemical neutrality”.

The star of the show of the strains tested by Greg in Copenhagen was a fission yeast, aka Schizzosaccharomyces Pombe (S. Pombe) which he dubbed No. 18. It is this earliest work in yeast selection that still resonates today in those who believe this type of yeast to be the holy grail in the search for the best Jamaica rum. Following Pasteur and Hansen, Greg at this time saw bacteria as only a source of potential disaster.

Enter Charles Allan who took entirely the opposite view. We will examine that in Part three.

 

Part Three – Allan and Ashby

In 1903, the Jamaica Board of Agriculture decided to hire a specialist Fermentation chemist as well as to set up a sugar laboratory, a fermentation laboratory and an experimental distillery with a 50 gallon still with a “telescopic head” and detachable retorts. The purpose was to study rum making with a view to improving yields, quality and studying the types of yeast involved. Charles Allan would be given a three year contract for the role under the supervision of legendary ‘Island Chemist’, H H Cousins. In 1905, it was Allan who supervised the implementation of Cousins High Ether Process at a specially built plant at Hampden Estate. A process still in use today.

Allan was able to show that the “flavour” of Jamaican rum was not the result of alcoholic fermentation by yeasts but due to acidic fermentations by bacteria.

“The point I wish to emphasize at present is that the value of rum depends mainly on the secondary products [the congeners] it contains. I will show you by means of experiments in the laboratory that cane juice or molasses fermented by yeasts alone produce but very little of the secondary products. These, therefore, must be formed by other organisms, chiefly bacteria which swarm in the washes of Jamaican distilleries”

Allan contrasted the modern approach of breweries of his era with the approach needed by the Jamaican distiller to make the best rum.

“In the most up-to-date breweries now not only are all bacteria excluded but yeast which has been carefully cultivated from selected seed are only used. The effect of this on the article produced was to alter to an appreciable extent its flavour but it ensured its stability in character and in a short time the newly acquired flavour got to be appreciated. In the case of Jamaica rum however we have an article of a very different nature to deal with. The flavour is of a very pronounced character and is one of its chief assets. The flavour of beer is very delicate and is produced by the yeast itself whereas I am of title opinion that the yeasts contribute but a small amount of the flavour of rum”

Allan’s successor at the Jamaica Government Laboratory was S. F. Ashby. Ashby had also studied yeasts at Copenhagen and was the Bacteriologist at famous Rothamsted Experimental Station in the UK before arriving in Jamaica in November of 1905.

He set about to explore further the contribution of yeast to Jamaica rum. He set up ten experiments with sterile washes seeded with strains of the fabled S. Pombe, selected due to the earlier work of Greg. The results were a disaster.

“The rum could hardly be called by that name, and it showed the same character for all ten yeasts; in no case was any characteristic flavour produced”.

Ashby continued with another series of experiments where acid was added to the otherwise sterile washes seeded again with S. Pombe.

“The conclusion to be drawn from these experiments is that, whereas none of the fission yeast isolated from the estate washes was able to produce flavour on its own account, the top yeast owing to its slower fermentation admitted a greater amount of chemical ether production in a wash originally high in volatile acids. The latter result is in accordance with distillers’ experience as they consider that a wash showing a strong fatty head due to the top fermenting fission yeast yields the best flavoured rum.”

Ashby set up further experiments again with added acids but this time observing the behaviour of each species of yeast (S. Cerevisiae and S. Pombe) with each type of acid (acetic, lactic, butyric) these being the common acids in distillery washes (produced primarily by bacteria).

“The ability of the budding type [S. Cervisiae] to multiply and ferment more rapidly from the outset in the weaker acid liquors, like cane juice washes and fresh skimmings, explains why this is the only kind found in such liquor the acidity of which is generally under 0.5%. In the usual estate washes containing dunder, molasses, acid skimmings, and frequently specially added acid, [this would be known as ‘flavour’ made in a muck pit or trash cistern ] the budding yeast [S. Cerevisiae] is largely suppressed, but the more slowly developing and very acid resistant fission type [S. Pombe] takes possession, and is practically the only form found in washes the acidity of which is 1.0% and over”.

Ashby demonstrated in experimental work that the remarkable qualities of S. Pombe are not in its ability to produce flavour of its own account but its ability to make alcohol in washes that are set up to make the characteristic flavour of high ester Jamaica Rum. Its slow rate of fermentation is also particularly important in allowing these characteristic flavours to be developed rather than rapidly consuming the available nutrients and producing the sterilising alcohol which would retard their development.

After his contact was concluded, Ashby would continue to have an illustrious career, he would also work in Trinidad before culminating his career as the mycologist at the Imperial Mycology Institute located at the Royal Botanic Gardens in Kew.

In fact Greg too in his work had also demonstrated that S. Pombe was no panacea – a simple trial of No. 18 in the absence of dunder produced no flavour. In his final paper on Rum aroma published in 1895, Greg concluded:

“If one may be allowed to theorize a little, there seems sufficient grounds for concluding, from the results which I have up to now attained, that though the aroma of rum is in the first instance derived from the soil, that this influence is chiefly potential not actual; that it is latent , dormant , and only brought into existence during the process of manufacture”.

Greg was back to Wray even before the arrival of Allan and Ashby.

So what does yeast contribute? We look at that in Part four.

 

Part Four – Yeast Flavour

Yeast is a bit of sacred cow itself in distilling, not least of all the current fad of S. Pombe. The primary mission in this series of posts is to explain the role of yeast in the context of traditional Jamaica high ester rum, not to diminish its broader importance. The role of yeast in any spirit category is wholly dependent on the culture in which that spirit is made. Yeasts and bacteria are the organisms directly responsible to creating flavour in alcoholic fermentations. Allan summarised well the challenge of striking the balance between the two:

“In making rum the first consideration is to produce alcohol. This can be done by encouraging the development of yeasts but in so doing you are discouraging the growth of bacteria and again if you encourage the development of bacteria you are setting up conditions which are against the interests of the yeasts. You must choose a middle course and it is just here where our greatest difficulty arises.”

Fortunately yeast does not only make alcohol but flavour congeners are produced as by products of yeast metabolism. These include higher alcohols (propanol, amyl alcohol etc), acids (acetic, lactic etc) esters (ethyl acetate), acetaldehyde and diacetyl. Further esters are formed by combining the produced acids with alcohol. Nykanan and Suomalainen (1983) listed 400 flavour metabolites of yeast fermentation. Of course only the volatile ones that pass over into the distilled spirit would be relevant for rum or whisky.

Yeasts are not a typical fungus in that their spores do not migrate by air currents. They are thought to be carried in the stomachs of insects. Recent research in Belgium – Christiaens et al 2014 – showed that fruit flies could use the aromatic odour produced by yeast to find fruit. The yeast helps the fruit fly find the fruit and the fruit fly helps the yeast move around. In short, fruit flies defecate yeast, and yeasts defecate alcohol (and some nice smelling bits).

Yeast autolysis is the degradation (by its own enzymes) of the cell wall and its contents following the death of the yeast cell. Yeast death is not a function of age but of how many times the cell has reproduced. This autolysate or ‘yeast extract’ notwithstanding its foremost importance to making marmite plays an important role in flavour development in fermented wines and spirits. Autolysis is strongly influenced by acidity and ethanol both of which are abundant at the end of fermentation. Several flavour compounds are released during autolysis including fatty acids (which will make esters and aldehydes) and heavy esters (e.g iso amyl caproate), terpenes (thought to be the constituent of what famed Puerto Rican chemist Arroyo called ‘rum oil’) and higher alcohols such as iso amyl alcohol.

Yeast autolysis is a very important part of the champagne method where the where the wine is kept in contact with the yeast autolysate in the bottle. It is also known as the ‘sur-lie’ method for making white burgundy. The autolysate is also a source of nutrients for bacteria. Greg, in one of his caveats for using yeast No. 18 advised it was important that the ‘dead wash’ sit for a couple of days before distillation. Ashby noted that S. Pombe produced far more autolysate than S. Cerevisiae. This is because of the double wall thickness of the fission yeast. This extra biomass is mainly polysaccharides. It does not contribute to flavour in distilled spirits save for providing nutrients to bacteria.

So just how did Jamaicans strike the balance described by Allan. That is for part five.

(pictured – A schematic overview of the main metabolic routes inside the yeast cell contributing to the synthesis of higher alcohols and esters when inserted in the fermenting medium)

 

Part Five – Striking the Balance

The addition of dunder (and its analogs of sour mash in bourbon or backset in whisky) as practised by all rum makers in the West Indies from the 17th century was precisely to set the balance described by Allan. By adding the acidic dunder at the outset, the acidity of the wash was increased to bring it into a zone that was still tolerable for yeast but inhibitory to bacteria. Favouring yeast was paramount because making alcohol is paramount. No point having bacteria produced flavour if they have gobbled up all the sugar and there is little or no alcohol. Many distillers today still adjust acidity in their pitched yeast fermentations by the addition of sulphuric or other acids.

Jamaica (and to a limited extent Barbados) would dimensionalize the molasses/juice/water formula of Wray by the addition of soured juice skimmings and something literally called ‘flavour’. Flavour was produced by a sort of parallel bacterial ferment using cane materials in a ‘trash cistern’ or ‘muck pit’. Each high ester rum making estate developed their own formula and method for ‘flavour’.

It is this use of soured juice and ‘flavour’ that tips the pendulum of aroma development in Jamaica Rum to bacteria over yeast, not that we wish to understate the importance of their symbiotic relationship. The creation and addition of ‘flavour’ in the Jamaican high ester rum making is the cultural equivalent of a bourbon distiller selecting and pitching their own favoured yeast strain. For wine and beer, yeast is king. In Scotch whisky, they do not boil the wort as in beer but rather heat it to 64C for a short time and so some bacteria is inevitably present during fermentation. With the early dominance of pitched yeast, the bacteria, chiefly lactic acid producing bacteria makes its presence felt at the end of fermentation – no role required for S. Pombe. Yeast autolysis would provide the nutrient requirements for the lactic bacteria. Late lactic bacteria is now widely considered to have a positive contribution to the flavour of the whisky (Geddes and Rifkin 1989). So in Scotch whisky, yeast is still king but the pendulum is swung a little in the direction of bacteria.

Today nearly every beer, wine or spirit including much of the rum in Jamaica is now made by pitching selected yeast strains, the practice outlined by Hansen in the late 19th century. The yeasts used are mostly of the saccharomyces type particularly the species saccharomyces cerevisiae for which there are literally thousands of strains. Saccharomyces types have such broad application because it fits the needs of the distiller so well. It is very efficient producing rapid fermentations, dominant (killer strains release a toxin to kill wild yeasts), tolerant of high alcohol content and by species/strain selection it reliably produces the desired flavour.

The yeasts used in whisky industry are mostly S. cerevisiae although various secondary species have been used. Lager yeast is S. pastorianus, ale yeasts include S. cerevisiae and apparently some S.bayanus strains. The wine industry mostly use S. cerevisiae and/or S. bayanus. Some wine makers and craft brewers use non saccharomyces types including Kloeckera, Saccharomycodes, Schizosaccharomyces, Hansenula, Candida, Pichia and Torulopsis. The use of non saccharomyces types is more practical in brewing because they can use a sterile wort. Trying to use non Saccharomyces types in rum is impractical as wild Saccharomyces strains will quickly dominate. Peynaud & Sudrand (1986), Haraldson and Rosen (1984) and Fahrasmane et al (1986) all found that Schizisaccaromyces strains in pure culture produced very few congeners.

In the past, Schizosaccharomyces yeasts were often detected in wines suffering from organoleptic faults through the appearance of sulfidric acid (hydrogen sulphide), acetic acid, acetaldehyde, acetoin and ethyl acetate. Most of these would not necessarily be a fault in rum making. Further research with highly selected strains of S. Pombe showed much better results (for wine) but their attraction for wine making was more related to the ability of this yeast to degrade malic acid rather than any remarkable aromatic profile. It should be noted that Ashby reported the existence of a ‘fruit ether’ yeast of the budding type, that is to say it was not S. Pombe.

It has been suggested in some circles that S. Pombe needs to be “reintroduced” into rum making. It is a ridiculous statement, it never left. S. Pombe plays its usual role at Hampden estate as it has done for over 250 years and S. Pombe can be found wherever rum is made. Several early studies identified S. Pombe in molasses and juice in rum distilleries in the Caribbean. More recently Fahrasmane (1988) found S. Pombe prevalent in Haitain distilleries. Bonilla-Salinas et al (1995) found S. Pombe in Mexican distilleries and Green (2015) found significant counts of S. Pombe yeasts in molasses at Bundaberg in Australia. You can find S. Pombe in our fermentations at Foursquare where their role varies depending on the rum to be produced.

The revised interest and circulation of the papers of Greg, Allan, Ashby et al by bloggers, enthusiasts, distillers and writers is absolutely to be applauded. I cant praise these efforts enough. That this 100 year old work still serves as inspiration to younger craft distillers is a joy to observe. My caution is not to take the work in isolation and consider it hand in hand with later work and the practical operations of West Indian Rum today that has built on and added to that knowledge. That such is not readily available via google should not detract from its value. As Wray warned, do not take the West Indian distillers for a ‘pack of fools’.

We do not need to reintroduce S. Pombe to rum, what we need to do is protect the traditional way in which it is used.

We will consider that in part six.

 

Part Six – The Jamaica GI

The core of traditional Jamaica rum making is the art of using simply sugar cane derivatives, spontaneous fermentation and batch distillation. Distillers were able to improve and innovate without ever breaking these fundamental core principles. In 1893, the year Greg published his first paper, 148 Jamaica distilleries operated this way. By 1948 there were just 25. Today just one distillery owner exclusively practices these methods. Pitched yeast and continuous distillation have changed Jamaica Rum (and Barbados Rum) forever as warned by Wray and J C Nolan (special commissioner to the UK for Jamaica rum) respectively. These two horses have bolted. There is no putting them back. But we can stop here and forever protect these methods.

In 2016, the Jamaican distilleries by unanimous agreement restricted the addition of fermentation agents ( those foreign agents of Wray! ) to yeast and only to yeast of the saccharomyces types. There was no restriction on native yeasts and bacteria proceeding in their normal spontaneous and natural way. How could they? Forced Sterilisation? One-third of the shares in a single Jamaica distillery changed hands in 2017 and since then, that pernicious shareholder has sought to discredit the GI as registered – most wickedly by mischaracterising the GI restriction as “narrowing to one genus of yeast we are wiping out hundreds of years of history of rum making”. Willful ignorance or just ignorance, I let my hopefully now better informed readers be the judge.

The distillery has now demanded through their team of lawyers that the Jamaica IP office unilaterally rewrite the GI to their personal specifications despite the protests of the remaining three distillers. One of my Jamaican colleagues, very high in the industry there, called this “insidious re-colonialization, putting his own selfish needs ahead of the industry and in contravention of the spirit of the GI.” I call someone who acquires a minority interest in a Jamaica distillery in 2017 and who then demands the GI be rewritten to their unilateral specification a megalomaniac.

Among the demanded changes, all designed to render the GI nugatory, is a demand to add other fermenting agents including bacteria. So pitched yeast and now pitched bacteria. A kind of rapid, cheaper ersatz Jamaica rum to be made and sold under a cloud of trite, hyperbolic marketing clichés. Pitched yeast and pitched bacteria take us further away from the true terroir of Jamaica Rum.

I suspect part of the motivation to rewrite the GI is the delusion based on the once again trendy advocation of Greg that magical Jamaica Rum will produced by simply pitching S. Pombe. It takes a high level of Dunning-Kruger type stupidity to think you are going to “innovate” Jamaica Rum by simply changing the brand of added yeast. You need to take West Indian distillers for a ‘pack of fools’ to believe this.

I will let Maggie Campbell, artisan distiller, yeast guru and esteemed colleague have the last word:

“It is wise to remember this is the life’s work and lived experience of these GI supporting Jamaican producers, they are not unwise or foolish, rather they are guardians of their culture and community. No one needs to benevolently jump in and fight to save Jamaican rum from itself, they are protecting it just fine themselves and the GI laws are set up to do just that”.
“If you do not want to participate in the community standards and cultural practices then you do not also get to demand instant access to leverage that community’s and culture’s hard won reputation for excellence.”

 

Again, huge thanks to Richard for allowing me to collate and reproduce the information here

© Steven James, Rum Diaries Blog and Richard Seale. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James, Richard Seale and Rum Diaries Blog with appropriate and specific direction to the original content.

Rummieclub Overproof Rum


A newcomer to the crowded marketplace has been the recently opened Rummieclub, which is Amsterdam’s newly opened rum distillery. The Rummieclub distillery is the brainchild of two people, Judith de Bie and Martijn Gerrits.

I first met Judith at the UK Rumfest in 2019 and I have been waiting eagerly for their first bottling…..but it wasn’t that easy to get to that point.

Their decision to start a rum distillery around four years ago led to one major event……it meant that they had to sell their home and move to the Bijlmer. Judith gave up her job at the City of Amsterdam and started working part-time to research all things Rum to make the dream a reality. After a few locations didn’t work out, they found a building in the east side of Amsterdam in Diemen. They decided to start a crowdfunding campaign, selling their first rum bottles to close the small financial gap that enabled them to buy their equipment. As the rental agreement had already been signed, they were obviously elated that the crowdfunding was successful. Then the wait started, the build process had a lot of delays and took far longer than anticipated. Almost a year later , and with their living room full of equipment and barrels they finally got the keys in December 2019.

Since then they have been distilling non-stop, filling barrels, honing their skills, experimenting with differing yeast strains, including some that have been homegrown.

Their website has a wealth of information and can be found here.

It includes crazy levels of detail for the processes behind their products….some of which I will utilise below.

As small and honest rum producers, Rummieclub want to be open about their production process. The rum category is one where the rules and processes differ by region and brand. Because of this, rum can be very diverse. This diversity has a downside, as a customer you don’t always know what you are buying. Rummieclub would like to be known as one of the producers that gives all the pieces of the puzzle about their rum production so that you are fully aware of what you are buying. All of this brings us onto one of their inaugural releases…..Rummieclub Overproof.

Rummieclub Overproof – 58% abv – 0g/l additives


Just look at that label! It has no bearing on the bottle contents but I am very impressed by its vibrancy.

Rummieclub Overproof undergoes an non temperature controlled 10 day fermentation in an open topped vessel. The organic molasses sourced from Paraguay was slowly added to the ferment over several days. Commercial yeast (Saccharomyces Cervisiae) was used for this initial batch. The resultant +/-8% abv wash is then distilled to 85% abv in their 500 litre Istill. An Istill affords Rummieclub a lot of control to make all of the choices that they want to make, and it can produce an array of differing distillates. It has a stainless steel boiler with a direct heater in the boiler. Rummieclub use copper waffles to extract some undesired compounds. On top of the boiler there is a packed column with a robot that opens and closes thecolumn as thay desire. It has numerous temperature probes and different valves for the heads, hearts and tails cuts, which they make based on temperature and taste. They chose this apparatus because it’s energy efficient and gives them the control and options that they were looking for.

Following distillation, the Rum is reduced using water that has been through a reverse osmosis filter to 58%. From here it has a resting period of around two months. 130 bottles of the Overproof were produced for Batch #1 and I am bottle #69 (Dudes!). Each release will see a different local street artist design the label utilising the Rummieclub colours. The label for this release was designed by Munir de Vries and it represents his vision of animals getting drunk on overripe fruits.

Just ahead of my notes, I wanted to give a little information on the level of experimentation going on at Rummieclub…..As mentioned earlier, they are experimenting with homegrown yeast and the next batch of Overproof will utilise their own yeast taken from raspberries. I asked if this would bring differing fruity notes or whether it was all about how the yeast does its job. Apparently the raspberry yeast gives an almost rotten fruit or papaya flavour. The homegrown yeast works differently to commercial dry yeast and gives different results, they are also a lot less consistent with occasionally way lower yields. Experimentation is also taking place with yeast from blueberries and mint from the garden, but the raspberry yeast is giving the best results so far. There is also a desire to experiment with dunder in the next Overproof.

With all of that said, what is it like?


Tasting Notes

Nose: Initially a light fruity vapour driven nose which warps into warm, buttered malt loaf and malted milk biscuits. Its also leaning on the creamy, almost yoghurt-y side. As it develops it becomes fruity with the sharpness of cranberries and there merest hint of caramelised pineapple. Spice, pepper and ginger grows as does the aroma of warm, almost melting plastic.

Mouth: The palate is spice led during the early exchanges with lots of black pepper and ginger juice which seem to morph into raisins, which brings some sweetness. It has one hell of a mouthfeel, very oily and chewy due to the lack of chill filtration. Molasses shows up and brings a beautiful sweet and bitter interplay that just sings. Burning car tires and warming molasses round things out with a hint of salty liquorice at the back end and maybe the merest hint of Horlicks and Maltesers.

In conclusion: Amazing to think that this is their first release such is the quality of the Rum. Its not just towing the line of the glut of unaged output from new distilleries of late. They’re not messing around. It has a unique profile that shows how they want to pursue their own direction….and their level of experimentation has me really excited to see what they can do moving forwards. I for one cannot wait to see what comes next from their unaged output, let alone their aged stuff. Makes a tasty daiquiri too. Outstanding effort!

4 / 5

© Steven James and Rum Diaries Blog 2020. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content.

Foursquare Plenipotenziario – Single Blended Rum

So….unless you’ve been hiding under a rock you’ll know about the recent release of the Velier distributed Foursquare Plenipotenziario…You will also know all about Foursquare Rum distillery but if not, click on the link here for a round up of all things Foursquare on the site before we quickly get into things.

Now that you’re back, lets move on.

I first encountered Foursquare Plenipotenziario the day before Boutique Rumfest in London in October 2019. It was during the Foursquare Dinner at the Oxo Tower, on same evening that I also encountered Sagacity. As a group we immediately knew that something was different about this one as even though we were drinking copious amounts of Foursquare ECS 2007, which itself is a big and bold proposition, Plenipotenziario felt a little meatier and carried a little more heft. We all awaited its arrival over the coming months and sadly given that we’re in the throws of a global pandemic, release was delayed for a short while given the shut down. But it arrived in early April.

So let have a look at it.

Foursquare Plenipotenziario – Single Blended Rum – 60% abv – 0 g/l additives

So….firstly the name….Plenipotenziario. The word is from the latin plenus which means “full”, and potens which means “powerful” and it would refer to a person that has “full powers”. So it continues the now traditional naming convention for the Velier distributed offerings which started with Triptych in 2017.

Distilled in 2007 and bottled in October 2019, we know that we’re getting a Single Blended Rum, which is a blend of batch and traditional continuous distillation from one distillery. As is always the case these are blended in the barrel. The Rum has seen 12 years maturation in ex-bourbon barrels in the tropical climate of Barbados. We also get another little snippet on the front label….Heavy & Light. Much was made of this online with people concluding that it merely meant pot and column, but the rear label expands upon this. The Rum is a blend of output from the Foursquare Pot still and also of light and heavy distillates from the Foursquare traditional Coffey still. We had heard that Richard has heavier column distillate but not too much of it, so as I had not seen anyone approach the subject and being curious as I am (though lacking much understanding), I questioned Richard about these heavy column still distillates and how he obtained them.

I asked whether, as we seem to understand from places like Caroni, this heavy distillate was a result of lower rectification and as there isn’t too much of it, whether it required significant changes to the way that the Coffey still was operated. Thankfully, and as he usually does, Richard was forthcoming with an answer. The heavier distillate was obtained via lower rectification without heads / tails cuts but as the still is not set up for this, it lacked efficiency and was not as well controlled. Modifications have since been made to the column still to add flexibility and to allow control of this flexibility, and although they won’t be producing the same distillate they have more range from the column still now. All of this was inspired by the earlier steps that created the heavier column rum within Plenipotenziario.

So there we have it. A Single Blended Rum containing a marque from the column still that is rarely seen, matured in ex-bourbon barrels for 12 years in a tropical climate and retailing for 139 euros.

Tasting Notes

Nose: A little punchy straight from the pour….well we are dealing with 60% here. There’s also a note that doesn’t feel Foursquare like, something that is perhaps a little tar like and definitely more rough n ready and lacking the poise that we’re used to off the bat. A good ten minutes in the glass and it begins to give a little though. Plenty of up front woody notes as is expected with Foursquare releases. Dry pencil shavings initially melding into cedar cigar tube liners. This then clearly morphs into a wetter, more musty oak with a hint of tobacco leaf and wet cardboard. Quite spice led too with cumin seed, grainy pumpkin seed bread, freshly grated nutmeg, black pepper. There is also an underlying astringent, varnish and lacquer aspect to the nose…..perhaps a little furniture polish. There is a waxy, almost beeswax Clynelish aroma too. Working through the layers sees familiar key Foursquare notes such as vanilla, milk chocolate, raisins, light coconut and mixed citrus peel. A hint of molasses and banana bread shows up. There’s a brightness to that astringent note that conjures up sharp blackcurrants, stewed stone fruits, and dried tart cranberries. A definite cherry stone aroma with a jammy quality and an almond like perfumed note point firmly at the ex bourbon barrels in a big way. Honey and warm orange peel pop up. It really has calmed down and become a layered experience the more time that it has been given in the glass.

Mouth: It’s a big one. Very oily, very demanding…..it’s screams at you if you’re not paying attention. Plenty of wet oak straight away and although not cuttingly dry it definitely doesn’t shy away from stealing a little moisture as when the liquid slides across your tongue it leaves a wake of drying oak behind it…..but also a hint of sweetness. That astringency is also there. Spicy but not overly so…black pepper, a hint of ginger, cinnamon and nutmeg. Lots of tobacco sweetness leads into the mid palate which definitely sweetens up a little. Good quality dark chocolate with hazelnuts, walnuts and cranberry pieces. Raisins and candied mixed citrus peels…..you’d also swear that it was almost ‘gritty’ like Spanish fig cake. Dark stewed plums and apples with syrupy juice. Again all of the expected notes are there with vanilla custard plus a more savoury vanilla….warm coconut sweet bread, desiccated coconut and the merest hint of peach vapours but all of these float on that layer of cherry and almond bourbon barrel influence that is the vessel carrying the entire experience. Little pockets of honey and salty liquorice pop up every now and then as the very long finish continues the good work that has come before it and the oily nature of the rum really doesn’t want to let go. Addition of coffee at the death of the finish with slightly bitter sherry and chocolate clinging onto cedar wood and nuts.

In Conclusion: So there we have it…..a 12 year old tropically aged ex-bourbon barrel Single Blended Rum…..and it’s another cracker…..not quite my favourite of their output but with a bar set this high, we have to be picky. Blends rely on skill and knowledge to continually create new and different expressions whilst also keeping core ranges consistent. This ex-bourbon release is a big, brooding and woody affair steeped in the familiar Foursquare vibe but offering a new extension to the familiar with the use of the heavier column distillate. It’s a massively enjoyable ride where layers reveal themselves on the nose and palate and they keep developing whilst retaining complete coherence during the transition. It’s unlike other ex-bourbon releases such as 2004, 2005 and 2007. It’s also unlike the recently released Nobiliary…though they feel connected…this will be reviewed soon. With such a wealth of barrel types now at Foursquare plus the installation of their new cane crusher and distillations using cane juice, there’s plenty more to come.

4.5 / 5

© Steven James and Rum Diaries Blog 2020. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content.

Chairman’s Reserve Master’s Selection 2006 13 Years Old Exclusive to Royal Mile Whiskies

As its name would suggest, Chairman’s Reserve Master’s Selection 2006 13 Years Old Exclusive to Royal Mile Whiskies is an exclusive bottling of Chairman’s Reserve for Royal Mile Whiskies. A large amount of releases appeared on the market towards the back end of 2019 and the early part of 2020. I own quite a few and so far I have only reviewed the Whisky Exchange bottling and that review can be found here. Again, as before, I will endeavor to put some distillery information prior to looking at the Rum in question.

Saint Lucia is one of the Windward Islands. The Windward Islands are the South Eastern, generally larger Islands of the Lesser Antilles within the West Indies. They are comprised of Dominica, Martinique, Saint Lucia, Saint Vincent & the Grenadines and Grenada. I have sadly never visited, but I am more than aware of the Pitons. The Pitons are two mountainous volcanic spires, Gross Piton and Petit Piton that grace the Chairman’s Reserve labels.

St Lucia Distillers emerged from a long tradition of on site, rustic rum production that was a common feature of the West Indies sugar plantations. The molasses (a by-product of the sugar industry) was fermented and distilled into Rum which was always in high demand, despite the fluctuations in the economy of the West Indian plantations. By the late 1950’s, only two distilleries remained on Saint Lucia. One in Dennery on the East coast, established in 1931 which was the site of the Barnard family plantation and the other in the Roseau valley which was owned and operated by Geest, a Dutch banana company. The St Lucia Distillers Group was formed in 1972 when due to the rise in European sugar beet, sugar production on Saint Lucia ended forcing the Barnard family to enter into a joint venture with the Geest owned Distillery moving their operations from the Dennery Distillery to the Roseau Bay Distillery in the Roseau Valley. This is the current location of St Lucia Distillers. In 1992, the Barnard family, who had been planters and Rum distillers for over a century, purchased the Geest shares. In 1997, the Barnard family sold some of their shares to Angostura Ltd before in 2005 selling their remaining shares to Clico Barbados Holdings with third generation rum maker Laurie Barnard staying on as Managing Director. In 2012 Laurie Barnard passed away and in 2013, Mrs Margaret Monplaisir was appointed his replacement. In early 2016, Martinique-based “Groupe Bernard Hayot” (GBH) acquired Saint Lucia Distillers Group of Companies (SLD) for an undisclosed sum.

Since its inception in 1972, St Lucia Distillers have grown from producers of single label mass market Rum to producers of well-regarded Rums and Rum based products. Not surprising given their capabilities. Distillation at St Lucia Distillers takes place on one of their 4 stills…..1 continuous and 3 batch.

Their continuous distillation process is supported by their Coffey Still , a two column (continuous) which was commissioned in 1985.

Their batch distillation is supported by three stills.

John Dore 1 – This pot still distills both molasses and sugarcane juice Rums, has a 1500 litre capacity and was commissioned in 1998.

John Dore 2 – This pot still distills only molasses Rum, has a 6000 litre capacity and was commissioned in 2004.

Vendome – This pot still distills both molasses and sugarcane juice Rums, has a 2000 litre capacity and was commissioned in 2003.

With that said, lets dig in.

Chairman’s Reserve Master’s Selection 2006 13 Years Old Exclusive to Royal Mile Whiskies – 56% abv – 0g/l additives

Distilled pre-August 2006, this Rum is 100% Vendome distillate from the 2000 litre capacity Vendome Pot Still. It was matured in ex bourbon barrels for a full minimum period of 13 years at the distillery in St Lucia before bottling at 56% abv on 16th August 2019. It is without additives and the outturn was 286 bottles with the one being assessed today being number 043.

Tasting Notes

Nose: Big. Punchy. Sharp. Medicinal rules the early exchanges here and there’s no getting away from it…..(but why would you want to). I’m finishing up my tasting notes outside on a sunny afternoon, this glass is on the table three feet away from me and it’s STILL all that I can smell. It very vibrant and the air resonates with bright, stinging acetone. Fruity acidity. Sticking plasters. Menthol. Pine air freshener. The smell from your car tires when you’ve just come to a sudden halt, complete with accompanying 5ft skid mark left on the road and the aroma of someone melting plastic in the distance. A weird whiff of soapy water passes quite quickly fortunately and as we move past the medicinal qualities the nose begins to adopt far fruitier characteristics. Cherry stones. Freshly cut pineapple that’s perhaps been left a bit too long and is fermenting a little. A hint of warm, soft banana. Mixed nuts and raisins and the sharpness of cranberry sauce. Flamed Orange oils. There’s also plenty of brine and salty kalamata olives. It also begins to show its maturity with the damp, woody notes, tobacco, turmeric root and spice that form a canvas for the medicinal and fruity notes to sit atop.

Mouth: Huge, oily mouthfeel on entry. This is a dry, tannic affair initially with a lot of sharp notes. Not as much heat as anticipated. It’s also a little bit ‘hoppy’. Yes there is acidity there but it’s not too distracting or off balance though the balsamic and fruit vinegar notes do creep in and make a beeline for your salivary glands. Antiseptic. Herbal. Eucalyptus. Creosote on a summers day. Fountain pen ink. Brine. Olives. Pink peppercorns. Fruit then comes strolling through the door in the form of fermenting Pineapple. Star fruit. A little of that banana from the nose. Maybe a hint of candied citrus peels. Definitely thick cut Orange marmalade. Honey. Rising bitterness on the mid palate brings forward the oak, barrel spices and promotes the saliva inducing moisture sapping influence on your tongue. The finish, which possesses some real length is led by antiseptic, eucalyptus, caramelised sugar, Lion Ointment before the oak brings crystallised ginger, growing spice and herbal notes. You’re left with an interplay of set honey and eucalyptus for a good while after you’ve taken your last sip. Muscavado sugar aromas sit with in the empty glass.

In Conclusion: Where the the Whisky Exchange release displayed the art of blending two similar, yet different heavy pot distillates, this Royal Mike Whiskies release is a balls out, take me as I am single still expression that doesn’t care for delicate floral nuances or popularity contests. It’s pure, unabashed medicinal glory brings with it a solid development from nose to palate and heaps of fruit and honey. When you push past the initial notes you’ll uncover a rum that plays sweet off perfectly against dry and they both bring the fight to the creeping sharpness. It’s very good.

4.5 / 5

© Steven James and Rum Diaries Blog 2020. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content.

Rum Exchange Barbados (Foursquare) 2009

We see ourselves with another Rum Exchange bottling. I recently looked at their Belize offering which you can find here……but again, a little about Rum Exchange. Rum Exchange is Facebook Group that was created by Andreas Isopp to provide a platform for bottle and samples trading, but much more than that, it is also a company that was set up to facilitate the introduction and selling of Rums that not considered ‘mass market’. They take complete control of the import, trade and distribution of these brands and products. They provide a link between producers, retailers and consumers. I first covered their Rum Exchange Jamaica Trelawny back in August, which was release #001 for them. This Rum Exchange Barbados 2009 from Foursquare Distillery is release #005 for them. I’d delve into a little information about Foursquare but a quick search in the box at the head of the page will uncover all that you need to know. So we’ll go straight into it.

Rum Exchange Barbados (Foursquare) 2009 – 59% abv – Single Blended Rum – 0 g/l additives


Distilled in February 2009 at Foursquare Rum Distillery in Barbados this Rum Exchange Barbados (Foursquare) 2009 Single Blended Rum, a blend of batch and continuous distillates matured together in ex bourbon saw a full 9 years maturation at the distillery in a tropical climate prior to shipping over to Europe where it saw a further 2 years continental maturation. It has been bottled at 59% and there is no sweetening added and no colouring either. But what is it like and does it offer anything different to what we’ve seen before?

Tasting Notes

Nose: Needs a decent amount of time in the glass as it displays in quite a muted way initially with alcohol vapours being quite forward, heavy oak and not much else to start with. Time and a little warmth bring a more rounded approach to what is still quite heavy oak with a touch of wood shavings, burnt paper edges and something new to me in a Foursquare offering…..a touch of sandalwood. It also brings a little cedar wood cigar tube insert too. It then falls back in line and slips straight into the usual suspects that we’d expect with milky, freshly cut and also desiccated coconut sitting alongside milk chocolate and vanilla. Mixed dried tropical fruit and raisins. There’s also a lightly oaked white wine note sitting on top of the aromas. Mildly nutty and spicy at the back end, it still harbours quite a bit of alcohol on the nose. With water and time (probably taking it down to around 55% abv) the initial blast of alcohol is calmed somewhat and this lays the blanketing oak down a little and this in turn opens up the sweetness with some marshmallow and Madeira cake. The oak remains but it is far more pleasurable, almost floral and enveloping rather than heated as the approach displayed initially.

Mouth: Quite heated initially but that soon gives way. Wood wood wood. Not as big on the palate as I was expecting from a mouthfeel point of view. Heavily drying and carrying some banana milkshake….surprisingly and a first for me in a Foursquare. Grain whisky candyfloss sweetness brings a touch of honeycomb and milk chocolate…..Crunchie Bars. Coconut is present and accounted for as are raisins and a hint of dried peach. Vanilla buttercream on a homemade sponge cake. A strong bite of pepper on the mid palate brings more barrel influence and allows the spice to dominate with jeera, ginger and pepper sitting on top of a warming wet wood. The finish, which is of a decent length ushers in the banana and coconut which leads into very drying and spicy oak and all of the heat that it brings. Pencil shavings and cocoa powder lead into those raisin notes and peach vapours on the back end. With water its very much a more relaxed version of the full abv glass of Rum but with a more profound peach influence running through the mouthful from start to finish.

In conclusion: It offers something very familiar and akin to a lot of other releases…..but then the banana and sandalwood usher in new experiences to the familiar. They lift it into slightly new territory for a Foursquare bottling and this is to be welcomed. I find that the abv, or at least how the distillate is dealing with the abv doesn’t help it initially but time (and maybe a drop or two of water) is your friend. It can become a little bitter on the finish with water added but there’s a simple solution to that…..keep drinking. All in all, its good juice and to be honest its a bit of a steal at less than 80 Euros. It almost feels like a higher abv Foursquare 1998….just saying.

Again, not quite a 4.5 for me but its pretty darn close. 

4 / 5

© Steven James and Rum Diaries Blog 2020. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content.

Foursquare Sagacity – Single Blended Rum

Back again with another Rum from one of my favourite places….Barbados. This is Foursquare Rum Distillery Exceptional Cask Selection Mark XI……or Sagacity as it is known. Now of late and as is a theme with these releases, you should ALL have a basic grasp of Latin (according to Alan Partridge anyway) and realise that Sagacity means “acuteness of mental discernment (discerning) and of sound judgement”…..which you all clearly are as you’re here, and you’re reading about this Rum. A quick click here will take you to a few bits and bobs that I’ve written about the distillery.

We first tried Sagacity over the UK Rumfest weekend in October and for some of us lucky enough to attend the Foursquare Dinner, it sat on the same table as Plenipotenziario and 2007. We were then fortunate enough to get to try it again at the distillery in Barbados in late November…..it was still pleasant and approachable juice…..and that it seems is exactly the point. Premise was never my favourite Foursquare ECS release, and it never will be….but what it offered was something approachable and comfortable for those new to Foursquare. The spiritual successor to Premise is Sagacity. Released at a slightly higher abv, but not cask strength, without colour and chill filtration, this Rum is meant to offer the same levels of approach-ability and value as Premise did but with something more to keep the more fanatic Foursquare fans happy. Does it succeed?

Foursquare Sagacity – 48% abv – Single Blended Rum – 0 g/l of additives

As mentioned above, this Rum is bottled at 48%, is without chill filtration, without colour and is obviously without sweetening or flavouring. It is a full 12 years old and its constituent parts are a 12 year old ex-Bourbon barrel Single Blended Rum and a 12 year old ex-Madeira barrel Single Blended Rum. On the surface this is the same kind of thing as Doorly’s 12 except that Doorly’s 12 is chill filtered and has colour given that it is / was released at 40% abv and is part of the continuing Doorly’s range….though a recent upping to 43% has occurred as it has / will with Doorly’s XO. I’ve also read that Doorly’s 12 has a 10% / 90% ratio of ex-Madeira and ex-Bourbon. I tried asking with regards to the make up of this blend……but a distiller needs to keep at least some secrets eh.

Tasting Notes

Nose: A slight astringency and the merest hint of acetone gives way to a blanket of robust oak that casts a solid foundation to the experience. The nose is redolent with ripe, juicy hedgerow fruit. Blackcurrants, red-currants, blackberries and maybe a hint of sour gooseberry. Definitely a touch of stewed prunes and their sticky juice. Plenty has been borrowed from the barrels over the course of its 12 years too. Vanilla. Plenty of coconut chips. Dark chocolate. Walnuts. A nip of white pepper, cumin and some damp oak shavings. At the back end there is a return to the fruity notes with dried cranberries. It’s a very well balanced and well behaved yet it brings with it a surprising depth.

Mouth: A second of sweetness brings a real zing the your tongue on initial sip. This ushers in the heat and spice. Talking of heat….there’s slightly more fire than expected but it’s a welcome facet and brings some fresh ginger juice, the floral bite of pink peppercorns and elevates the drying qualities of the oak. It also has a nice oily quality bringing a very impressive mouthfeel. The mid palate becomes a little sweeter and takes a turn for the “jammy”. Blackcurrants sit alongside mixed red berries and dried prunes. A hint of citrus….maybe flamed orange peel. Soft and chewy oak ushers in the lengthy finish that seems to grow in complexity. Coconut, vanilla and warm dark chocolate sit over big, wet and spicy oak. This leads into black pepper, more oak and the sweet and sour interplay of chocolate and dried cranberries.

In conclusion: The constant and consistent thing here is the balance between the fruit and oak influence…..and it’s that balance that allows the more complex elements to shine through yet also allows it to be so approachable. It’s just so enjoyable. It all seems pretty effortless for Foursquare on the surface but I suppose that if you have a full understanding of what you’re doing, have the ability to plan ahead and know that you won’t be making any unnatural tweaks at the end of the process then you just become very good at what you do…..producing high quality Rums. As the goal of this rum was to be approachable for newcomers yet offer something more complex for the well seasoned whilst staying affordable, then I’d consider that with Sagacity, its mission accomplished.

4.5 / 5

© Steven James and Rum Diaries Blog 2020. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content.

Rum Exchange Belize 2009

This wont be the first time that you’ve encountered a Rum Exchange release on these pages. Rum Exchange is Facebook Group that was created by Andreas Isopp to provide a platform for bottle and samples trading, but much more than that, it is also a company that was set up to facilitate the introduction and selling of Rums that not considered ‘mass market’. They take complete control of the import, trade and distribution of these brands and products. They provide a link between producers, retailers and consumers. I first covered their Rum Exchange Jamaica Trelawny back in August, which was release #001 for them. This Rum Exchange Belize 2009 from Travellers Distillery is release #003 for them. But a little about the distillery first.

In 1950’s Belize, sugar was a popular and plentiful commodity and seemingly on the surface everyone that owned a Plantation was bathed in wealth and producing their own Rum. Enter Jaime Omario Perdomo Sr. (Don Omario), a man with very humble roots who in 1953 opened a bar in Belize City. Given that his bar gained most of its custom from people travelling in or out of the city, Travellers seemed to be the most appropriate name. Travellers sold imported spirits and beers alongside locally produced Rums. At the time in Belize, the custom was for bars to create their own Rum blends and offer them for sale exclusively through their establishments and Don Omario was no different. He created his unique blends combining varying flavours and essences. As the exclusive Rum blend for Travellers proved popular, Don Omario sought a more consistent base for the blends. This proved to be more and more difficult as growing competition in the Rum manufacturing business meant that it was becoming harder to obtain spirits of a consistent enough quality. To overcome this, Don Omario entered into partnership with Luis Alberto Espat who agreed to build a distillery for him in Belmopan. Joined by his sons, Romel and Mayito in the 1970’s, the company began to grow in size. In 1983, Travellers was registered as a limited company and in 1989, when Luis Alberto Espat decided that he wanted out of the business, Travellers purchased his share of the company gaining full control over all aspects of the business for the first time. In 1992, Travellers upgraded its facility moving away from utilising acids to expedite its fermentation process and now, for their Rum (other spirits / alcohols are produced on site) they employ natural fermentation using locally sourced molasses and a double distillation in their triple column continuous still. Maturation is carried out in ex bourbon barrels at their facility.

Now most of us will have at some point had a run in with their most famous export, One Barrel…..a truly horrific concoction. Five Barrel doesn’t fare much better…..but apparently their Don Omario range breaks the cycle for their distillery bottlings. We have also seen other releases from Tiburon, Fair, That Boutique-y Rum Company, Cadenhead’s, Duncan Taylor, Whisky Broker, SBS, Kintra and The Duchess…..and now we have the Rum in question today, Rum Exchange Belize 2009.

Rum Exchange Belize 2009 – 60.8% abv – Modern Rum – 0 g/l additives

Distilled using local molasses, natural fermentation and a double distillation on their triple column continuous still in 2009, this Rum was matured in a tropical climate at the distillery in an ex-bourbon barrel until 2019 when it was bottled. A release of 288 bottles at an abv of 60.8%, this has no colouring, no additions and has not been chill filtered. With that said, lets have a look at how this fares.

Tasting Notes

Nose: A touch of solvent…and weirdly liquid paper, soon dissipates to usher in quite an apparent barrel led nose with plenty of splintery wet wood. Toasted coconut, a hint of vanilla. Charred wooden splints. A possible very light sulphur, but it doesn’t stick around. The alcohol definitely doesn’t interfere with the experience and it all remains quite calm and balanced providing you don’t shove your nose into the glass. Milk chocolate over sweetened coconut chunks. Something bitter but nutty, maybe a touch of walnut and maple syrup with the corresponding levels of bitterness. There’s also a caramel aroma, not burnt sugar caramel initially….more Caramac bar. A little perfumed and floral. Portuguese Custard Tarts too with their sweet custard and buttery crispy pastry.

Mouth: The entry is a little heated and initially carries none of the sweetness from the nose. As you acclimatise the heat builds with spicy, peppery barrel notes. This is quite cutting and dry straight away. What strikes you is just how big a mouthfeel this Rum has…not viscose, but more of a palate weight feeling. It’s a little in the ball park of a well aged Barbados Rum initially. Mid palate the spice and moisture sapping oak gives way a little to reveal mixed nut brittle, white and milk chocolate florentines. Cold Custard and warm Madeira cake. The Caramac from the nose makes an appearance. The oak remains a prominent characteristic of the experience through to the finish which carries a decent length and hangs vanilla, peppery barrel spice and a touch of walnut bitterness on the woody spine.

In conclusion: Beautiful development from nose to palate. Very well balanced and approachable even at its 60.8%. The nose is warming and carries enough interest to hold your attention with equal measures of wood influence and sweeter notes. The palate doesn’t succumb to the sweetness of the nose and it retains a pleasant woody character throughout with the light bitterness, mildly sweet / spicy interplay and pleasing weight lifting this Rum way above my expectations. Forget One Barrel……this is good stuff.

Not quite a 4.5 but more than a 4. Lets call it a 4.25.

4 / 5

© Steven James and Rum Diaries Blog 2020. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content.

Chairman’s Reserve Master’s Selection 2006 13 Years Old Exclusive to The Whisky Exchange

The Chairman’s Reserve Master’s Selection 2006 13 Years Old Exclusive to The Whisky Exchange (to give it its full and complete title) is one of a deluge of new releases that we have seen from St Lucia Distillers under their Chairman’s Reserve label recently. With a bit of a dry spell for new releases from the distillery being well and truly ended as like the proverbial buses, you wait ages for one…..so and and so forth. Not that there will be any complaints from me…for once. Before we get into this Rum, a little history about the distillery.

Saint Lucia is one of the Windward Islands. The Windward Islands are the South Eastern, generally larger Islands of the Lesser Antilles within the West Indies. They are comprised of Dominica, Martinique, Saint Lucia, Saint Vincent & the Grenadines and Grenada. I have sadly never visited, but I am more than aware of the Pitons. The Pitons are two mountainous volcanic spires, Gross Piton and Petit Piton that grace the Chairman’s Reserve labels.

St Lucia Distillers emerged from a long tradition of on site, rustic rum production that was a common feature of the West Indies sugar plantations. The molasses (a by-product of the sugar industry) was fermented and distilled into Rum which was always in high demand, despite the fluctuations in the economy of the West Indian plantations. By the late 1950’s, only two distilleries remained on Saint Lucia. One in Dennery on the East coast, established in 1931 which was the site of the Barnard family plantation and the other in the Roseau valley which was owned and operated by Geest, a Dutch banana company. The St Lucia Distillers Group was formed in 1972 when due to the rise in European sugar beet, sugar production on Saint Lucia ended forcing the Barnard family to enter into a joint venture with the Geest owned Distillery moving their operations from the Dennery Distillery to the Roseau Bay Distillery in the Roseau Valley. This is the current location of St Lucia Distillers. In 1992, the Barnard family, who had been planters and Rum distillers for over a century, purchased the Geest shares. In 1997, the Barnard family sold some of their shares to Angostura Ltd before in 2005 selling their remaining shares to Clico Barbados Holdings with third generation rum maker Laurie Barnard staying on as Managing Director. In 2012 Laurie Barnard passed away and in 2013, Mrs Margaret Monplaisir was appointed his replacement. In early 2016, Martinique-based “Groupe Bernard Hayot” (GBH) acquired Saint Lucia Distillers Group of Companies (SLD) for an undisclosed sum.

Since its inception in 1972, St Lucia Distillers have grown from producers of single label mass market Rum to producers of well-regarded Rums and Rum based products. Not surprising given their capabilities. Distillation at St Lucia Distillers takes place on one of their 4 stills…..1 continuous and 3 batch.

Continuous

Coffey Still – The two column (continuous) Coffey Still at St Lucia Distillers was commissioned in 1985.

Batch

John Dore 1 – This pot still distills both molasses and sugarcane juice Rums, has a 1500 litre capacity and was commissioned in 1998.

John Dore 2 – This pot still distills only molasses Rum, has a 6000 litre capacity and was commissioned in 2004.

Vendome – This pot still distills both molasses and sugarcane juice Rums, has a 2000 litre capacity and was commissioned in 2003.

Vendome Pot Still centre, John Dore II behind, John Dore I left

I’m a big fan of a lot of the output from the distillery with a particular penchant for the Vendome and John Dore I stills, and there is far more information contained within this site as I have previously written quite extensively about the distillery. Information can be found by clicking here.

Right….lets get into the Rum in question…..the Chairman’s Reserve Master’s Selection 2006 13 Years Old Exclusive to The Whisky Exchange.

Chairman’s Reserve Master’s Selection 2006 13 Years Old Exclusive to The Whisky Exchange – 56.3%abv


Distilled in pre-August 2006, this Rum is a 50 / 50 blend of batch distilled Rums. The first was distilled on the 2000 litre capacity Vendome Pot Still and the second was distilled on the 1500 litre capacity John Dore I Pot Still. Matured in ex bourbon barrels for a full minimum term of 13 years at the distillery in St Lucia, this Rum was bottled at 56.3% abv on 16th August 2019 is devoid of additives. Its great when there are no shenanigans. Only 286 bottles and this one is 264.

Tasting Notes

Nose: As expected, the nose on this blend of pot distillates is a big one. There’s so much billowing out of the glass. Quite sharp initially it also possesses some sweetness. The unmistakable qualities of both stills are fully on display here. Medicinal is the order of the day for the Vendome and more classic pot still notes are present for the John Dore I. Acetone is unmistakable and very prominent. Plenty of brine is accompanied by an acidic, almost balsamic note. Sticking plasters. Pine. Sweet menthol notes. Given time to breathe in the glass, you can push past the medicinal characteristics and this really opens up. There’s cherry stone aroma, similar to the one found in the new Mount Gay Pot Still release. This ushers in barrel influence with wet wood, vanilla and some growing spice characteristics….think black pepper, ginger, fennel seeds, candied hazelnuts and the unmistakable aroma of the cedar wood insert from a cigar tube. I want to say black tea too…..it kind of is and isn’t at the same time. A minerality follows this with wet pumice stone. There’s a sweet sugared almond or maybe a powdered sugar aroma that sticks with the back end and some warm sticky tropical fruit like papaya and guava jam show up. Molasses, Raisins, dates and maybe black walnut bitters. It becomes almost floral at the back end.

Mouth: Blimey. There it is. Big. Dry. Tannic. Very oily. Plenty of warmth to the entry but not as much heat as expected. It’s in possession of a big and oily mouthfeel and that starts bringing a fair bit of acidity which grows a little too much and becomes mildly distracting….fortunately only for a short while. It’s a little tangled and knotted based upon the first sip and you definitely need to acclimatise to separate the experience, but it starts to develop very nicely with the Vendome medicinal notes playing a role up front and dead centre. Herbal tablets. Antiseptic. Fiery ginger. Medicinal, verging on peat smoke…..more Ledaig than Caol Ila though as it’s carried on the drying wet spicy oak. It teases your mouth encouraging your salivary glands to work overtime with its dry pepper, sharp vinegar and citrus oil. This slowly guides you towards the John Dore I with its acetone, brine and salty coastal notes. The mid palate has plenty of weight and is barrel led initially with cocoa, ginger, and plenty of peppery heat. A touch more smoke, leather, cedar sap, pine and menthol. Milk chocolate coated ginger pieces…..think more fiery heat than sweet ginger. Maybe a hint of cigar tobacco. The back end brings chocolate coated honeycomb, caramelised peanuts and cashews. A touch of sweet syrupy black cherry and a heady mix of stewed rhubarb and ginger syrup. The finish is still going…..it’s a full reflection of the preceding experience. The herbal, acetone, brine, medicinal and sharp notes pull you through heat and spice into the fading sweetness of honeycomb, caramelised nuts, and strangely a hint of melon Jolly Rancher sweets. The barrel bursts in at the death with black pepper, fennel, a return of the minerality rounded out with sweet smoke and menthol.

In Conclusion: It’s a near spot on amalgamation of the more straight up (when compared to its bottle mate) pot still nose of the John Dore I with its acetone and brine and the more weighty medicinal nose of the Vendome. The balance achieved on both the nose and palate with these two big, vocal characters is very impressive and is testament to what they can do at St Lucia Distillers. It continues to develop and the transition from nose to palate is excellent. It’s no secret that my favourite still at St Lucia Distillers is the Vendome, second place goes to John Dore I…..it could’ve been a mess…but it isn’t. The John Dore I tempers the Vendome perfectly well and the abv is spot on. Now all we need are regular releases like this with more blend combinations…..I’d even like to see a John Dore I only bottling released here. It’s not without its flaws…..but it’s just so enjoyable. Well done St Lucia Distillers…..you listened…..and this Rum geek is very happy.

4.5 / 5

© Steven James and Rum Diaries Blog 2020. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content.