Dead Reckoning Mhoba – South Africa

Around 12 months ago….that was the last time that I felt compelled to put pen to paper (fingers to keyboard) in any serious way. Whilst I was never prolific, I was relatively regular….and whilst this won’t necessarily see a full time return, the fact that this is happening is for me, personally, a good sign.

Anyhow, what are we looking at today. It’s a Mhoba! But this one is South Africa via Australia.

Mhoba are a producer that I have written about previously, in particular I wrote a long form piece that I view as one of the first and most detailed on the history and production methods of Robert and the distillery. You can find that by clicking here…..and just a little search on the page will reveal some other reviews of the range in general.

This bottling however is from a “relative” newcomer to the independent bottling scene, Dead Reckoning. This is the brainchild and life force behind Justin Boseley….Sailor turned Independent Rum bottler. There was an interesting insight into Justin over at 88bamboo and you’ll find that here.

Dead Reckoning Mhoba – South Africa – 56% abv – 0 g/l additives

What we have here is a young Mhoba offering matured in South Africa for a couple of years in an ex South African Red Wine barrel (Vrede En Lust). This was then shipped over to Adelaide in an IBC where Justin put it into an first fill, level three char ex Makers Mark barrel for an additional 5 months of “dry ageing”. That 5 months in the hot and dry Australian sun where in summer the humidity is around 5% and the temperatures can rise to 47 degrees Celsius saw the abv increase by approximately 4 to 5%….that is it would seem, dry ageing and it saw an Angels share of 21%.

Now lets get into it

Tasting Notes

Nose: A real freshness to the liquid in the glass accompanied by a hint of that Mhoba plastic note. A beautiful sharp and sour note of tart red berries accompanies white chocolate shavings and dried cranberries. There is some of that familiar Mhoba grassy sugarcane and ester driven profile. Fruity acidity, hints of ripe tropical fruits. Development in the glass moves from the fresher, cane and fruit driven notes and grows in depth with the barrels coming to the fore. Mild tannic notes and barrel spice. Musky wet wood mixes with drier, more pencil shaving driven notes. It’s all so well integrated and the level of depth and development certainly belies its age. Creamy white chocolate and cranberry cookies. That sourness is certainly a welcome facet to the experience. It sits astride that line between a well aged agricole and a quality high ester Jamaican.

Mouth: Wow. Initial sips definitely do not bring the nose to the palate straight away. A little difficult to sift through to start with. Balance isn’t there immediately. Tingling the tip of your tongue are those tart dried cranberries, crisp apple and acidic tropical fruits. This becomes almost creamy with such an oily mouthfeel. Banoffee pie. Caramel. Chewy meringue. Sweet grain whisky. Yes there are those tart red fruit notes in there, but it becomes wonderfully drying on the mid palate. It is far more barrel driven than the nose would have you believe…..almost old Enmore like. Musky, wood and old library books. Pepper. Still allowing those tart notes to hit the side of your tongue though. Sticks of celery and peanut butter. A relatively short finish to this one but I’m not annoyed by that. Creeping dryness and hints of powdery cocoa.

In conclusion: The differing barrels have definitely had their influence on the distillate whilst also allowing the Mhoba character to shine through, that said…..I’d struggle to think on something that would be able to stunt that Mhoba character. All in all, really lovely stuff and a great bottling for Dead Reckoning to have in their arsenal.

4 / 5

© Steven James and Rum Diaries Blog 2023. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content.

SMWS R11.5 Flaming Rum Bananas

Back into it with my first visit to a SMWS bottling from Jamaica. This one is from Worthy Park……the name could almost be a giveaway. There really isn’t too much that I can tell you about Worthy Park that I have not covered elsewhere. So a little click here……or here might assist. 

What I CAN tell you is that they’ve been producing some excellent Rum since the distillery was re-opened in 2005 and at the recent UK Rumfest in London, I got to try a couple of new under the counter bottles. 

The first was a 17 year old Rum. This would’ve been from one of their early 2005 distillations on that lovely big Forsyths double retort. It was the WPL marque and was bottled at 54.72%. It really was everything that you’d want it to be. 

The second was unaged cane juice distillate. The marque was WPE-CJN and it was bottled at 50.29%. I’m not sure that I have the correct superlatives to describe this. It’s both wildly expressive and vibrant whilst also being an absolutely huge Rum. I’m told by those that have visited Worthy Park that smelling it in the glass captures the very essence of walking around the distillery. One day. I can only hope. 

I’m very hopeful that both will see a release at some point. 

Anyhow…….onto the bottle in question. 

SMWS R11.5 Flaming Rum Bananas – 66.1% – 0 g/l additives 

Distilled on May 1st 2010, this bottling was matured in a refill ex bourbon barrel and bottled at 7 years of age. My assumption is that the majority of that time was spent in the cooler European climate. An outturn of 273 bottles, this weighs in at a hefty 66.1%. I’d also suggest that this is a WPL marque. Now I usually take the naming convention with a pinch of salt…….but Worthy Park does equate to Bananas in my mind. 

Tasting Notes 

Nose: A little uptight initially from the pour. This one needs a decent chunk of time to open up a little. Buttery vanilla slices. Coconut mochi. A little hint of the vegetal pings in and then swiftly disappears. We get some of the familiar and “classic” Worthy Park profile. Beautiful black breakfast tea. Bananas aplenty. Overripe and baked into a banana bread…..a brown sugar sprinkling on top and maybe some baked in chocolate chips. Dried banana chips covered in milk chocolate. A touch of barrel spice. Not as forthcoming as a lot of the distillery bottling’s that I’ve tried. 

Mouth: Now we’re talking. THIS is what I was hoping to find more of on the nose. It really is in full on classic Worthy Park attack. Remarkably drinkable given the 66 degrees of alcohol that it’s packing but my word it is silky, all encompassing and it fully envelopes your tongue. Banana. Banana. Banana. Almost Tempus Fugit Creme de Banane with its chocolate and banana bread. This carries good depth. Bannofee pie with with ginger biscuit base. Chocolate coated banana and coconut chips. Spice bun. Sweet milky tea. A hint of Maltesers. The mid palate ushers in spicy black and Szechuan peppercorns. Mace. Cinnamon. Fragrant allspice. Fresh ginger root. Plenty borrowed from the barrel. The finish is a full presentation of what preceded it with perhaps the addition of a slice of spice bun drizzled with molasses. That banana remains ever present though.

In conclusion: A little disjointed from nose to palate if I’m being honest. The nose would be a solid 2/5 but the expressiveness of the palate and its classic nature when given time really lifts the experience. It’s not up to the standard of some of the distillery bottling’s, or even some of the other independent bottling’s such as from the Thompson Brother’s, though that one in particular carries more age. Not a classic. It doesn’t give fully to what we know that Worthy Park can give, it feels too restrained on the nose. It remains pretty solid though.

3.5 / 5

© Steven James and Rum Diaries Blog 2022. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content.

Saint Aubin History Collection Cuvée Grande Réserve

Le Domaine de Saint Aubin has existed as a Plantation since 1819 and it takes its name from original owner Pierre de St. Aubin. It is located south of Rivière des Anguilles on the South coast of Mauritius. It’s operation as a sugar growing plantation has continued unabated since it’s inception yet Rhum production came later. How much later I do not know. The plantations location gives rise to a microclimate whose balance of rain and sunshine pairs with the volcanic soil to create ideal conditions for cultivating sugarcane. 

The sugarcane, once harvested is immediately transported to the mill where it is pressed to extract the juice. The first press is known as ‘fangourin’ locally and it is this that is used to undergo immediate fermentation. They also employ both batch and continuous methods of distillation. 

To be honest, that is about as much information as I can find about the place……so we’ll swiftly move onto the liquid in the bottle. 

Saint Aubin History Collection Cuvée Grande Réserve – 40% abv – 3.9 g/l additives 

To quote the available information: 

With the “History Collection” series, the distillery of Saint Aubin pays tribute to the historical facts that shaped Mauritius. 

Limited to 5218 bottles, our Cuvée Grande Réserve commemorates the bicentenary of the conquest of “L’Isle de France” which took place between the 29th November and the 2nd December 1810 in the north of Mauritius. 

A few months following the Battle of Grand Port, England had gathered an expeditionary force commanded by Sir John Abercomby. They landed in Cap Malheureux and soon dominated the French forces of the Governor Decaen which were low in number. Following the Treaty of Paris in 1814, Isle de France was given to England and got its name Ile de Maurice, or Mauritius back. 

The rear bottle label states 7 years old, which would tally with the indicated 2007 Harvest and 2014 release dates noted on the box. But I have read that there are elements of 10 year old batch distilled Rhum in the blend which according to Lance over at The Lone Caner is 30% batch and 70% continuous. Maturation took place in a combination of both ex-bourbon and French oak casks. 

Let’s see what this one offers up.

Tasting Notes

Nose: Upon initial pour, the single most prominent aroma that comes to the fore is that of a synthetic caramel…..the like of which can be found atop a cheap supermarket creme caramel. I’ll be honest, it takes some shaking. So we power through. An excess of vanilla is broken by ripe red fruits……raspberries, plums and a wealth of hedgerow berries. Red berry packet microwave porridge with a sprinkling of brown sugar. Soft red liquorice. Walnuts and maple syrup. Spiced caramel. There’s a back end of wet wood that still carries that synthetic caramel and maybe the merest hint of chocolate milkshake.

Mouth: The illusion of a robust, oily mouthfeel soon slides off the edge of the tongue to display a complete transition from the nose. Synthetic caramel that brings unpleasant bitterness. Heaps of red berry compote. Dried cranberries. Sweet porridge. Maple syrup on buttery pastry. Icing sugar. Caramel spiked with pre-grated nutmeg and cinnamon powder. Heaps of vanilla. The barrel is disappointingly missing for something that has spent a decent amount of time in French oak and it only shows via a little spice. The finish is of a medium length and brings some of that red liquorice along with a touch of fennel like anise. Caramel bitterness at the death.

In conclusion: It all just feels very muted. Like it wants stretch it’s legs. It wants to have a little more power in the delivery. It wants to to live up to what we know that Mauritius can produce. It wants to be reflective of its surroundings. But it’s sadly bound by the decisions made post process rather than being defined by the process itself and it turns a what could’ve been into a what is certainly not. Its not particularly sweet, the additions have not been used to do that. It’s dull, muted, synthetic and perhaps the most awful thing that a Rum could be, bland. The addition of caramel at such levels that it clearly holds back the olfactory experience whilst making its presence known via synthetic bitterness on the palate coupled with what I’d hazard a guess is a fruit maceration executed with all the subtlety of a brick to the face were two of the worst decisions made in the creation of this product. I’d even be hard pressed to identify it as a cane juice product, which is a crime in itself. A lesson to all that even at this stage, we can all be duped into buying a poor product and proof further that label clarity is required. Unless you enjoy dull, muted, easy going offerings from some of the big South American players, steer clear. Mauritius can (and should) do so much better. The remains of the bottle are free to a good home.

1 / 5

© Steven James and Rum Diaries Blog 2022. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content.

Holmes Cay Mhoba 2017

My interest and appreciation of the output from Mhoba should be apparent to anyone that has visited this site previously. I have a few multi bottling reviews (here and here)and one very large reference piece charting the origins of Mhoba Rum and it’s founder, Robert Greaves here. Robert is a man that I have a great deal of time and respect for. Not only does he produce great Rum, he’s also an extremely humble, open, honest and likeable man. So imagine my delight when I found out that another person that I also consider to be thoroughly decent was bottling a Mhoba product. That person is Eric Kaye and along with his partner in crime (and wife), Maura Gedid, they are independent bottlers Holmes Cay. 

Holmes Cay have grown slowly but surely since my first encounter with Eric and their products back at Rumfest in 2019. Their mantra is “No Additives. No Adulteration. Just Rum”……and it is one that I fully support and can get on board with. Spanning Australia, Barbados, Belize, Fiji, Guyana, Jamaica, Mauritius, South Africa and Trinidad, they’ve not been too shy to encourage exploration beyond the Caribbean. Sadly, they’re also unavailable here in the UK outside of Rum auction websites and that is a real shame. 

How therefore have I come to acquire this bottling. That is all thanks to a coffee and a ham & cheese toastie at the Starbucks around the corner from Crewe railway station in October last year. Eric had been in Liverpool exploring the delights of the Main Rum warehouse and uncovering some new treats to bottle. Eric had kindly agreed to meet me in a stop off on his way down to London. I duly collected him from the station and we seconded to the sterile wasteland that is a Starbucks in a railway town on a weekday mid morning. I took some samples of quite coveted bottles for Eric to try and he kindly gave this bottle in return…..and a pretty cool hat too.  I also got to try a couple of samples, straight from a plastic Starbucks cup, of some insanely good upcoming bottling’s. Even then, they shone through their dire, drab surroundings and provided a brief journey to another place, if only for a second. 

So enough talk of trains, hats and sterile coffee shop environs, let’s move into the Rum. 

Holmes Cay Mhoba 2017 4 Years Old – 59% abv – 0g/l additives

As the name would suggest, this is a Mhoba bottling distilled in 2017 and bottled in 2021. It was bottled at its barrel strength of 59% abv and drawn from an ex-South African Whisky barrel (number 49). The barrel was one of a batch obtained from the James Sedgewick Distillery in Wellington, South Africa. Sedgewick’s produce Bain’s Cape Mountain Whisky which is a Grain Whisky (can be made from any grain including unmalted Barley, Wheat, Corn & Rye) and Three Ships which is a Single Malt Whisky (Malted Barley). That parcel of barrels contained both malt and grain whisky barrels, all barrels were old and therefore very well used, and Robert being Robert, he refurbished around 2 in 10 barrels by removing material and re-toasting. Due to the losses to evaporation (the temperatures are at Caribbean levels but with greater fluctuation of highs and lows) the casks were consolidated, therefore it is likely that any releases from the 2017 ex-South African Whisky barrels may have seen time in both ex-malt and ex-grain whisky barrels. 

Tasting Notes

Nose: We often say that distilleries have a signature aroma, honed from their techniques crafted and perfected over a number of years, Robert has definitely achieved that in a short space of time with Mhoba. It’s like a unique blend of high ester Jamaican output, unaged agricole from the French West Indies, the heavier and massively appealing (to me) pot still side of cane juice and the glue-y output from Fiji. But that amalgamation is quintessentially Mhoba. 

Vibrant, bright, ester laden sugarcane juice. Light acetone. Plastic. Model glue. Lingering fuel aromas on your hand following filling up the tank. Earthy notes of turmeric, saffron, ginger root and freshly foraged mushrooms creep in. Layers of complexity keep building and revealing themselves as the glass sits. A fruitier side reveals itself with sticky caramelised pineapple, pineapple upside down cake, manuka honey. Imagine oily lemon and lime rind covered in powdered sugar. White wine. A really unshakable candyfloss note. Wafts of chocolate coated raisins, toffee pennies. Complex and rewarding……and more unnervingly, approachable.

Mouth: Initially there is an unmistakable and prominent liquorice root……those little wooden sticks that rewarded constant chewing with earthy, rooty, bitter and occasionally sweet liquorice. Robust, oily and possessing plenty of grip on the palate. As you sit and take repeated sips that sweetness grows with toffee pennies, pineapple cubes and tinned pineapple juice. Beautifully controlled acidity. Citrus oil. Sticky and almost damp muscovado sugar being added to a spiced fruitcake mix. Liquorice. Honey on toast. Sugared almonds. A drying and spiced mid palate which is where the barrel influence first shows itself, and it brings white pepper, ginger juice, baking spices. The finish is a touch shorter than I would’ve liked but it builds towards it on the preceding sips to leave that drying sweet, bitter and woody liquorice root, sugared almonds, peaches and maybe a hint of coffee at the death. 

In conclusion: This rum is on the lighter side of the Mhoba output. Way less wood influence than their usual offerings and it feels more approachable for it, but don’t let that make you believe that it is lacking in any way. Quite the opposite. It is complex, rewarding and shows great development from nose to palate and into the finish. Robert has again produced an exemplary distillate and Eric has been smart enough to snap it up and bottle it. A perfect match. 

4.5 / 5

© Steven James and Rum Diaries Blog 2022. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content.

AuRhum “Infinity” Jamaican Rum

This is another offering from those crazy Danes at AuRhum and this release is definitely a crazy one. But first, a little information.

AuRhum is a company comprising three Rum enthusiasts, Alexander Vincit, Lindy Andersen and Tommy Andersen. These three enthusiasts have known each other for a good many years and they share a passion for their Rum ‘hobby’. But why decide to become independent bottlers in a market that is becoming saturated? Varying degrees of quality and varying degrees of honesty within the existing marketplace are two reasons. The raison d’etre for these three enthusiasts is that they believe that the consumer deserves an honest approach and a good experience when they purchase a bottle. As a result their key rules are based around zero additives and zero sugar. They want the experience to be authentic, honest and more importantly, affordable without having to spend upwards of £100 on a bottle. With all of this in mind, AuRhum aim to create a range of bottlings that are either unique or that enable rarely seen distillates to be enjoyed. As if their lofty, but sensible goals weren’t enough, as both Alexander and Lindy work in the armed forces they want to assist and support both current and former colleagues who perhaps have not shared their luck. They insist that 5% of the company profits must be donated to a Veteran Charity in Denmark.

The aged “Purity” release was reviewed a short while ago and can be found here. Now that you’re back, its time to keep things short and sweet as I’m quite excited about this one.

AuRhum “Infinity” Jamaican Rum – 63% abv – 0g/l additives

The chaps at AuRhum have gone back to Jamaica for this release, and more specifically back to Worthy Park. They have kept things very simple. Distilled from estate molasses on the wonderful Forsyths double retort pot still, this distillate which bears the marque WPE possesses an ester level of up to 800 gr/laa. That’s a very high ester level in most locations, its definitely very high ester by Worthy Park standards but in Jamaica as a whole its sitting just above the middle of the range. But ethyl acetate content isn’t all that should be considered when looking at Jamaican Rum, or Rum in general. Also keep in mind that Worthy Park are doing all of this without the use of muck or dunder in their processes. You can read a little more about those processes here.

Presented at a full bore 63% abv, completely devoid of additives, chill filtration, sugar and also possessing no age whatsoever, this should be a no holds barred ride into some of Worthy Parks highest ester distillate. This is one of just 57 bottles from Batch #1.

Tasting Notes

Nose: This is a BIG one……it makes the entire house smell amazing. Huge acetone notes fill the air on initial pour…..but there’s something really comforting about it. It’s full of bright and punchy pineapple notes. Plenty of sweetness riding a wave of liquorice and that aroma that you only get when fresh pot distillate hits your hands straight from the storage tank tap and starts to warm up. That intoxicating mixture of molasses and acetone. It feels creamy with notes of natural yoghurt. Time allows you to push through into some light mashed banana and candied sweetness sitting atop pear drops, pineapple cubes and aniseed balls. The top notes are lightly floral but always have the undercurrent of brooding molasses depth. The warmth and feeling of standing next to a still in the Caribbean accompanied by liquorice, alcohol vapours and those mildly sour notes. The further you dig the more you feel something salty and savoury grow with black olives and maybe a hint of light soy sauce.

Mouth: A hot one to start with that tosses aside some initial sweetness to dish up a lot of spice. Aniseed, ginger juice, cumin black pepper and liquorice root powder. Green olive tapenade and a hint of flaked sea salt. It’s big and oily on the palate displaying amazing persistence and the ability of some of the finest negotiators to hammer its point home at all costs. The alcohol alarmingly doesn’t feel too much at 63%. There’s a mellowing of the distillate on the mid palate but the persistence remains, releasing a wave of fruity sweetness resplendent with pineapple, guava and banana skins and the liquorice midget gems that are so rarely found these days. Molasses returns on the finish with a vengeance and it carries with it a real salty coastal vibe. Green olive and salted lemon peel but with a touch of powdered sugar. It has quite a lengthy finish but it doesn’t give any more than the earlier experiences….rather it just allows them to fade, but when it has that sweet salty interplay down to a tee why does it need to.

In conclusion: Think of this as more of a transportation vessel than a Rum….I completed my notes in the garden listening to Slam FM from Bridgetown followed by Zip FM from Kingston and the aromas and tastes accompanied by the 31 degree heat put me right in the middle of a distillery with those beautiful molasses, liquorice and sour notes backed up with intense warmth. As with a lot of these Rums the nose is by far the winner when it comes to straight tasting but that’s to take nothing away from the quality of the distillate which is exemplary. I’ve paired it with tropical soda, coke and even tonic….it also works very well in small quantities in a banana old fashioned. Lovely stuff and well chosen by the chaps at AuRhum.

Man I LOVE Worthy Park.

4.5 / 5

© Steven James and Rum Diaries Blog 2020. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content.

Foursquare Plenipotenziario – Single Blended Rum

So….unless you’ve been hiding under a rock you’ll know about the recent release of the Velier distributed Foursquare Plenipotenziario…You will also know all about Foursquare Rum distillery but if not, click on the link here for a round up of all things Foursquare on the site before we quickly get into things.

Now that you’re back, lets move on.

I first encountered Foursquare Plenipotenziario the day before Boutique Rumfest in London in October 2019. It was during the Foursquare Dinner at the Oxo Tower, on same evening that I also encountered Sagacity. As a group we immediately knew that something was different about this one as even though we were drinking copious amounts of Foursquare ECS 2007, which itself is a big and bold proposition, Plenipotenziario felt a little meatier and carried a little more heft. We all awaited its arrival over the coming months and sadly given that we’re in the throws of a global pandemic, release was delayed for a short while given the shut down. But it arrived in early April.

So let have a look at it.

Foursquare Plenipotenziario – Single Blended Rum – 60% abv – 0 g/l additives

So….firstly the name….Plenipotenziario. The word is from the latin plenus which means “full”, and potens which means “powerful” and it would refer to a person that has “full powers”. So it continues the now traditional naming convention for the Velier distributed offerings which started with Triptych in 2017.

Distilled in 2007 and bottled in October 2019, we know that we’re getting a Single Blended Rum, which is a blend of batch and traditional continuous distillation from one distillery. As is always the case these are blended in the barrel. The Rum has seen 12 years maturation in ex-bourbon barrels in the tropical climate of Barbados. We also get another little snippet on the front label….Heavy & Light. Much was made of this online with people concluding that it merely meant pot and column, but the rear label expands upon this. The Rum is a blend of output from the Foursquare Pot still and also of light and heavy distillates from the Foursquare traditional Coffey still. We had heard that Richard has heavier column distillate but not too much of it, so as I had not seen anyone approach the subject and being curious as I am (though lacking much understanding), I questioned Richard about these heavy column still distillates and how he obtained them.

I asked whether, as we seem to understand from places like Caroni, this heavy distillate was a result of lower rectification and as there isn’t too much of it, whether it required significant changes to the way that the Coffey still was operated. Thankfully, and as he usually does, Richard was forthcoming with an answer. The heavier distillate was obtained via lower rectification without heads / tails cuts but as the still is not set up for this, it lacked efficiency and was not as well controlled. Modifications have since been made to the column still to add flexibility and to allow control of this flexibility, and although they won’t be producing the same distillate they have more range from the column still now. All of this was inspired by the earlier steps that created the heavier column rum within Plenipotenziario.

So there we have it. A Single Blended Rum containing a marque from the column still that is rarely seen, matured in ex-bourbon barrels for 12 years in a tropical climate and retailing for 139 euros.

Tasting Notes

Nose: A little punchy straight from the pour….well we are dealing with 60% here. There’s also a note that doesn’t feel Foursquare like, something that is perhaps a little tar like and definitely more rough n ready and lacking the poise that we’re used to off the bat. A good ten minutes in the glass and it begins to give a little though. Plenty of up front woody notes as is expected with Foursquare releases. Dry pencil shavings initially melding into cedar cigar tube liners. This then clearly morphs into a wetter, more musty oak with a hint of tobacco leaf and wet cardboard. Quite spice led too with cumin seed, grainy pumpkin seed bread, freshly grated nutmeg, black pepper. There is also an underlying astringent, varnish and lacquer aspect to the nose…..perhaps a little furniture polish. There is a waxy, almost beeswax Clynelish aroma too. Working through the layers sees familiar key Foursquare notes such as vanilla, milk chocolate, raisins, light coconut and mixed citrus peel. A hint of molasses and banana bread shows up. There’s a brightness to that astringent note that conjures up sharp blackcurrants, stewed stone fruits, and dried tart cranberries. A definite cherry stone aroma with a jammy quality and an almond like perfumed note point firmly at the ex bourbon barrels in a big way. Honey and warm orange peel pop up. It really has calmed down and become a layered experience the more time that it has been given in the glass.

Mouth: It’s a big one. Very oily, very demanding…..it’s screams at you if you’re not paying attention. Plenty of wet oak straight away and although not cuttingly dry it definitely doesn’t shy away from stealing a little moisture as when the liquid slides across your tongue it leaves a wake of drying oak behind it…..but also a hint of sweetness. That astringency is also there. Spicy but not overly so…black pepper, a hint of ginger, cinnamon and nutmeg. Lots of tobacco sweetness leads into the mid palate which definitely sweetens up a little. Good quality dark chocolate with hazelnuts, walnuts and cranberry pieces. Raisins and candied mixed citrus peels…..you’d also swear that it was almost ‘gritty’ like Spanish fig cake. Dark stewed plums and apples with syrupy juice. Again all of the expected notes are there with vanilla custard plus a more savoury vanilla….warm coconut sweet bread, desiccated coconut and the merest hint of peach vapours but all of these float on that layer of cherry and almond bourbon barrel influence that is the vessel carrying the entire experience. Little pockets of honey and salty liquorice pop up every now and then as the very long finish continues the good work that has come before it and the oily nature of the rum really doesn’t want to let go. Addition of coffee at the death of the finish with slightly bitter sherry and chocolate clinging onto cedar wood and nuts.

In Conclusion: So there we have it…..a 12 year old tropically aged ex-bourbon barrel Single Blended Rum…..and it’s another cracker…..not quite my favourite of their output but with a bar set this high, we have to be picky. Blends rely on skill and knowledge to continually create new and different expressions whilst also keeping core ranges consistent. This ex-bourbon release is a big, brooding and woody affair steeped in the familiar Foursquare vibe but offering a new extension to the familiar with the use of the heavier column distillate. It’s a massively enjoyable ride where layers reveal themselves on the nose and palate and they keep developing whilst retaining complete coherence during the transition. It’s unlike other ex-bourbon releases such as 2004, 2005 and 2007. It’s also unlike the recently released Nobiliary…though they feel connected…this will be reviewed soon. With such a wealth of barrel types now at Foursquare plus the installation of their new cane crusher and distillations using cane juice, there’s plenty more to come.

4.5 / 5

© Steven James and Rum Diaries Blog 2020. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content.

Berry’s St Lucia Rum Aged 14 Years

I’ve previously looked at a couple of Berry Bros. bottlings that have been for other people, a couple of Hampdens and a Caroni….and they all hit the mark, but this will be the first of their own releases that I have looked at.

Berry Bros & Rudd are a Wine and Spirits Merchant based in London, Britain’s oldest, and they have traded from the same premises at 3 St. James Street, London since 1698. They have also branched out with offices in Japan, Singapore and Hong Kong. They have a Wine School and an exclusive fine wine and dining venue in London’s St James’s.

St Lucia you will be familiar with having seen plenty of reviews and articles on this site. They have numerous marques from four stills available and they are not afraid to use them.

The traditional Coffey two column (continuous) still at St Lucia Distillers was commissioned in 1985

John Dore 1 batch still has a 1500 litre capacity and was commissioned in 1998

John Dore 2 batch still has a 6000 litre capacity and was commissioned in 2004

Vendome  batch still has a 2000 litre capacity and was commissioned in 2003

Vendome Pot Still centre, John Dore II behind, John Dore I left

Berry’s St Lucia Aged 14 Years – 46% abv – 0 g/l additives

There have been a couple of bottlings of this Rum released, I know of an 11 year and this 14 year. From the information that I have been able to uncover, the contents of this bottle were from a 2000 distillation with bottling and release in 2014. The high likelihood is that this has seen little to no tropical maturation with most if not all of its time being spent in a cooler climate. Bottled at 46%, with unknown quantities, I do know that until the past 18-24 months this bottle was available relatively easily. This is in fact my second open bottle of this Rum. Taking a guess at the stills, with a 2000 distillation it would put only two stills in play, the Coffey traditional column and John Dore I….but without further information, we’ll have to use our nose and palate to decide if its single still or a blend.

Tasting Notes

Nose: As has become the norm now, St Lucia distillers output definitely has some key indicators coming from their stills. The aroma from the glass is confirming my assumption of the stills used. A little sweetness, vanilla and acidity initially and a lightness to the nose that brings quite prominent, almost cooling menthol notes. A whiff of wet mint to accompany a growing medicinal quality, not quite Vendome-esque……more subdued but still light sticking plasters notes, a hint of oil and the aroma of a new air filter being installed on my old diesel Peugeot 306. A little fruit fights through with overripe and fermenting pineapple,  but still carrying a cool feel to it, like the aroma of the pineapple mint growing in our garden. It becomes a bit brine led too with some light salty green olive notes, lemon oils and a little savoury edge before the lightest hint of cedar and warming peppercorn ease in. Not a huge amount of wood on the nose but it is there playing second fiddle to the rest of the olfactory display. On the nose, for me this is a blend of both aforementioned stills.

Mouth: A solid yet not oily mouthfeel……lighter than expected though, maybe the pot to column ratio is dialed down. The initial sweetness of vanilla, toffee and light icing sugar coated fermenting tropical fruit soon gives way to a growing savoury character. Quite creosote like with plenty of black olives, preserved lemons and a large dose of liquorice. The mid palate becomes a little spicier with a hint of fresh fragrant green chili, cloves and ginger. There’s an almost herbal quality too easing its way past the light woody notes. The finish, which is of a decent length is quite spicy bringing back the ginger, chili and wet wood with the merest hint of plasters and liquorice. Sweetness pops back for a fleeting moment before the return of the cooling menthol and eucalyptus leaves you with a touch of cigar box and right at the death, pineapple cube sweets.

In conclusion: I thought it good to get this review out given the large quantity of 50/50 John Dore I and Traditional column blends that seem to be hitting the market at the same abv, tropically matured but coming with less time in the barrel. This is bottle number two of this Rum that has just disappeared, with one remaining in the rum store…that one was picked up for me by Wes at Rumfest a few years ago, incidentally he reviews this rum over in his website thefatrumpirate. The two bottles, both the 14 yr, have given me plenty of easy drinking with moderate levels of complexity and high levels of enjoyment. The rum displays almost as well as some of its entirely tropically matured cousins but lacks the intensity of a little more time in the sun. That said however, if you do see a bottle, be sure to pick it up as a lot of enjoyment sits within its sleek, tall silhouette.

4 / 5

© Steven James and Rum Diaries Blog 2020. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content.

AuRhum “Purity” Jamaican Rum

Today I have a familiar Rum but from an unfamiliar independent bottler. The familiar Rum was distilled in St. Catherine (so we know where its origins lie) and the unfamiliar bottler is AuRhum….who hail from Denmark. Before we dig into the bottle information it may be prudent to set the scene of who AuRhum actually are and why they choose to do what they do.

AuRhum is a company comprising three Rum enthusiasts, Alexander Vincit, Lindy Andersen and Tommy Andersen. These three enthusiasts have known each other for a good many years and they share a passion for their Rum ‘hobby’. But why decide to become independent bottlers in a market that is becoming saturated? Varying degrees of quality and varying degrees of honesty within the existing marketplace are two reasons. The raison d’etre for these three enthusiasts is that they believe that the consumer deserves an honest approach and a good experience when they purchase a bottle. As a result their key rules are based around zero additives and zero sugar. They want the experience to be authentic, honest and more importantly, affordable without having to spend upwards of £100 on a bottle. With all of this in mind, AuRhum aim to create a range of bottlings that are either unique or that enable rarely seen distillates to be enjoyed. As if their lofty, but sensible goals weren’t enough, as both Alexander and Lindy work in the armed forces they want to assist and support both current and former colleagues who perhaps have not shared their luck. They insist that 5% of the company profits must be donated to a Veteran Charity in Denmark.

Pretty admirable stuff. But we need to shift focus to the bottle that is being assessed today….AuRhum “Purity” Jamaican Rum

AuRhum “Purity” Jamaican Rum – 57% abv – 0g/l additives

As mentioned at the beginning, we gain most of the information that we need from the bottle, with the remaining questions being asked directly. Distilled in St. Catherine, Jamaica can only mean one thing, and that is distillation at the mighty Worthy Park on their Forsyths double retort pot still. You can gain a wealth of information about the distillery and its products by clicking here. The marque information is unavailable but generally the most commonly available aged marque is WPL (Worthy Park Light – 60-119 gr/laa) although that is not confirmed. Distilled in late 2013 / early 2014, the Rum was matured for 4 years at the distillery in ex-bourbon barrels prior to being shipped to Denmark in early 2018 for a further 1 year ‘finish’ in ex-Port casks. It was bottled for AuRhum in early 2019 and is a release of 360 bottles, mine being hand numbered as 148 and it is presented at 57% abv with No Sugar, No Additives and No Chill Filtration. It is available for the equivalent of around £82 plus postage. If awards are your thing, it picked up a Gold at the 2019 Nordic Rum Fest.

Tasting Notes

Nose: Nice and punchy. Its apparent youth and associated alcohol are quite forceful initially. Fortunately they don’t stick around and dissipate rather quickly after a few minutes in the glass. Immediately it reveals the now trademark signatures of a Worthy Park offering….Big solid notes of strong, stewed black tea. This is elevated and carried on a mushy overripe banana sweetness that throws mashed up mango into the mix, with spice bun and sweet coconut milk rice. Warm blackcurrant jelly that has been recently poured over trifle sponges and is waiting to set. Heavy berry and fortified wine notes themselves bring dark chocolate, raisins, prune juice and a developing spiced characteristic. This spice driven facet to the nose is initially quite peppery with cinnamon, fiery fresh ginger and a hint of cumin. As the Rum develops in the glass, and it really does develop over time, more of that sweet rice and coconut milk begins to usher in a creamy characteristic and the once stewed black tea morphs into a more mellow and milky spiced chai offering. The merest hint of window putty makes itself known.

Mouth: Plenty of heat on the first couple of visits. The relative youth of the rum coupled with its 57% abv means that it’s one that needs a little acclimatisation. As your palate becomes accustomed to the heat, a sharply sweet and hot spiced note are the order of the day with fiery crystallised ginger and pepper balancing well with a bag of dried cranberries. Almost immediately it feels like the rum is starting to dry out but rather confusingly as soon as this feeling has washed over the tip of your tongue, a real saliva inducing sweetness bathes the sides of your mouth with tart and sweet red and black currants and a hint of gooseberry which, given the vast quantity of other Worthy Park bottlings that I’ve consumed, must be as a result of the port cask. Continuity is there from nose to mid palate with the familiar overripe banana and black tea mixing with the creamier coconut rice, vanilla rice pudding and milky chai. There’s a slice of sour cherry pie leading into the finish that does possess some real length and is heavily spiced with ginger, black pepper and a touch of ginger cake. A little dark chocolate bitterness wrapped up with tart berries and sweeter prunes ushers in a return of a spicy red wine characteristic. Maybe some raisins and a touch of soft liquorice. It becomes a little bit ‘cigar ash’ at the back end as the fruit dissipates and you do begin to feel more cask influence growing.

In Conclusion: It’s quite young, and it shows in both the heated nature of the distillate and its delivery which can feel a little like an excited puppy dog clamouring for your attention. It’s also a fiery proposition, and one where the alcohol carries some real influence throughout and as a result the transitions can feel a little jumpy, but the overarching factor remains that the base spirit is a very solid one. The finishing period in port casks has definitely added something worthwhile to the Rum rather than detracting from it. For me it certainly is an enjoyable Rum, and like that excited puppy, I’ve grown quite fond of it. More than worth a purchase.

4 / 5

© Steven James and Rum Diaries Blog 2020. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content.

Chairman’s Reserve Master’s Selection 2006 13 Years Old Exclusive to Royal Mile Whiskies

As its name would suggest, Chairman’s Reserve Master’s Selection 2006 13 Years Old Exclusive to Royal Mile Whiskies is an exclusive bottling of Chairman’s Reserve for Royal Mile Whiskies. A large amount of releases appeared on the market towards the back end of 2019 and the early part of 2020. I own quite a few and so far I have only reviewed the Whisky Exchange bottling and that review can be found here. Again, as before, I will endeavor to put some distillery information prior to looking at the Rum in question.

Saint Lucia is one of the Windward Islands. The Windward Islands are the South Eastern, generally larger Islands of the Lesser Antilles within the West Indies. They are comprised of Dominica, Martinique, Saint Lucia, Saint Vincent & the Grenadines and Grenada. I have sadly never visited, but I am more than aware of the Pitons. The Pitons are two mountainous volcanic spires, Gross Piton and Petit Piton that grace the Chairman’s Reserve labels.

St Lucia Distillers emerged from a long tradition of on site, rustic rum production that was a common feature of the West Indies sugar plantations. The molasses (a by-product of the sugar industry) was fermented and distilled into Rum which was always in high demand, despite the fluctuations in the economy of the West Indian plantations. By the late 1950’s, only two distilleries remained on Saint Lucia. One in Dennery on the East coast, established in 1931 which was the site of the Barnard family plantation and the other in the Roseau valley which was owned and operated by Geest, a Dutch banana company. The St Lucia Distillers Group was formed in 1972 when due to the rise in European sugar beet, sugar production on Saint Lucia ended forcing the Barnard family to enter into a joint venture with the Geest owned Distillery moving their operations from the Dennery Distillery to the Roseau Bay Distillery in the Roseau Valley. This is the current location of St Lucia Distillers. In 1992, the Barnard family, who had been planters and Rum distillers for over a century, purchased the Geest shares. In 1997, the Barnard family sold some of their shares to Angostura Ltd before in 2005 selling their remaining shares to Clico Barbados Holdings with third generation rum maker Laurie Barnard staying on as Managing Director. In 2012 Laurie Barnard passed away and in 2013, Mrs Margaret Monplaisir was appointed his replacement. In early 2016, Martinique-based “Groupe Bernard Hayot” (GBH) acquired Saint Lucia Distillers Group of Companies (SLD) for an undisclosed sum.

Since its inception in 1972, St Lucia Distillers have grown from producers of single label mass market Rum to producers of well-regarded Rums and Rum based products. Not surprising given their capabilities. Distillation at St Lucia Distillers takes place on one of their 4 stills…..1 continuous and 3 batch.

Their continuous distillation process is supported by their Coffey Still , a two column (continuous) which was commissioned in 1985.

Their batch distillation is supported by three stills.

John Dore 1 – This pot still distills both molasses and sugarcane juice Rums, has a 1500 litre capacity and was commissioned in 1998.

John Dore 2 – This pot still distills only molasses Rum, has a 6000 litre capacity and was commissioned in 2004.

Vendome – This pot still distills both molasses and sugarcane juice Rums, has a 2000 litre capacity and was commissioned in 2003.

With that said, lets dig in.

Chairman’s Reserve Master’s Selection 2006 13 Years Old Exclusive to Royal Mile Whiskies – 56% abv – 0g/l additives

Distilled pre-August 2006, this Rum is 100% Vendome distillate from the 2000 litre capacity Vendome Pot Still. It was matured in ex bourbon barrels for a full minimum period of 13 years at the distillery in St Lucia before bottling at 56% abv on 16th August 2019. It is without additives and the outturn was 286 bottles with the one being assessed today being number 043.

Tasting Notes

Nose: Big. Punchy. Sharp. Medicinal rules the early exchanges here and there’s no getting away from it…..(but why would you want to). I’m finishing up my tasting notes outside on a sunny afternoon, this glass is on the table three feet away from me and it’s STILL all that I can smell. It very vibrant and the air resonates with bright, stinging acetone. Fruity acidity. Sticking plasters. Menthol. Pine air freshener. The smell from your car tires when you’ve just come to a sudden halt, complete with accompanying 5ft skid mark left on the road and the aroma of someone melting plastic in the distance. A weird whiff of soapy water passes quite quickly fortunately and as we move past the medicinal qualities the nose begins to adopt far fruitier characteristics. Cherry stones. Freshly cut pineapple that’s perhaps been left a bit too long and is fermenting a little. A hint of warm, soft banana. Mixed nuts and raisins and the sharpness of cranberry sauce. Flamed Orange oils. There’s also plenty of brine and salty kalamata olives. It also begins to show its maturity with the damp, woody notes, tobacco, turmeric root and spice that form a canvas for the medicinal and fruity notes to sit atop.

Mouth: Huge, oily mouthfeel on entry. This is a dry, tannic affair initially with a lot of sharp notes. Not as much heat as anticipated. It’s also a little bit ‘hoppy’. Yes there is acidity there but it’s not too distracting or off balance though the balsamic and fruit vinegar notes do creep in and make a beeline for your salivary glands. Antiseptic. Herbal. Eucalyptus. Creosote on a summers day. Fountain pen ink. Brine. Olives. Pink peppercorns. Fruit then comes strolling through the door in the form of fermenting Pineapple. Star fruit. A little of that banana from the nose. Maybe a hint of candied citrus peels. Definitely thick cut Orange marmalade. Honey. Rising bitterness on the mid palate brings forward the oak, barrel spices and promotes the saliva inducing moisture sapping influence on your tongue. The finish, which possesses some real length is led by antiseptic, eucalyptus, caramelised sugar, Lion Ointment before the oak brings crystallised ginger, growing spice and herbal notes. You’re left with an interplay of set honey and eucalyptus for a good while after you’ve taken your last sip. Muscavado sugar aromas sit with in the empty glass.

In Conclusion: Where the the Whisky Exchange release displayed the art of blending two similar, yet different heavy pot distillates, this Royal Mike Whiskies release is a balls out, take me as I am single still expression that doesn’t care for delicate floral nuances or popularity contests. It’s pure, unabashed medicinal glory brings with it a solid development from nose to palate and heaps of fruit and honey. When you push past the initial notes you’ll uncover a rum that plays sweet off perfectly against dry and they both bring the fight to the creeping sharpness. It’s very good.

4.5 / 5

© Steven James and Rum Diaries Blog 2020. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content.

Rum Sixty Six ‘Fine English White Rum’

I first saw this release when a friend sent me an image of the bottle. I was very intrigued as I know that Rum Sixty Six is a brand that for a good few years, a lot of us have trusted solely based upon the fact that it is / was a Foursquare product in the bottle. I mean, just look online for reviews of their Cask Strength 12 which is astonishingly good, their Family Reserve which has been upped to 43% (my own review of the 40% release from back in 2015 is available here) and the newer and younger of the aged releases which is their Extra Old 6. The Rum Sixty Six brand is owned by The Bajan Trading Company and in the tradition of all Rum brands, there was a back story…..

So, the Sixty Six of Rum Sixty Six refers to the 30th November 1966 which was a date that saw the Barbados Independence Act 1966 come into effect. The Act also presented the ability for a new constitution to take effect upon independence and this was actioned through the Barbados Independence Order 1966. This effectively made Barbados the fourth English speaking country in the West Indies to achieve full independence from the UK. A coat of arms adorns the bottle with the motto ‘Pride and Industry’. This coat of arms was adopted on the 14th February 1966 by decree of Queen Elizabeth II. The Family Reserve aspect refers to the fact that due to production costs and the effects of evaporation on long aging of Rum in Barbados, the quantities of Rum aged for this time period are reduced and their allocation reserved for family. With an allocation given the the British branch of the family which emigrated in the 1960’s. Up until the launch of Rum Sixty Six, it was only ever exported when members of the family returned home with unmarked bottles after visits to Barbados. So now that is out of the way…..

In 2016, Halewood Wines & Spirits purchased a significant stake in The Bajan Trading Company and initially really upped the profile of the brand, adding the aforementioned 12 Year Old Cask Strength and the 6 Year Extra Old as well as increasing the abv of the Family Reserve to 43%.  Sadly of late though, the Rum Sixty Six brand has seen itself appear at Rum Festivals on the same table as the Dead Man’s Fingers range……and I’ll be brutally honest, it looks completely out of place for a brand with such provenance. When I looked further and closer at the rest of the range, I picked up that although the Family Reserve and Cask Strength are still labelled as Barbados Rum from Foursquare, the 6 Year Extra Old offering is now labelled as a 6 Year Old Panama Rum……which brings us nicely onto the bottle that is up for assessment today……Rum Sixty Six ‘Fine English White Rum’. I picked mine up from The Drop Store for £13 down from £16 for a short while and the service received was great….the bottle is priced at around £20 on most other sites.

Rum Sixty Six ‘Fine English White Rum’ – 38% abv – 0g/l additions

There doesn’t seem to be a huge amount of information around about this release……it’s almost as if they want it to slip under the radar. I have sent several emails to Halewood with hopes of gaining information regarding the sourcing of the Rum and further details but as yet I have not received a response. What I am 100% sure of is that this is NOT a Foursquare Rum Distillery product. So all that we have to go on is the bottle information. A 2 Year Old ‘Caribbean’ Rum is imported to the UK where it is rectified at the Sovereign Distillery in Liverpool. This is then rested and ‘matured‘ in copper tanks. Apparently the result is an ‘outstandingly smooth white rum’.  What’s also amazing is that the rectification of a Caribbean Rum in the UK also makes it an English Rum…..Lets have a look.

Tasting Notes

Nose: Initially the nose on this is very neutral. In all fairness, even an hour in and its still very neutral. It has the spike of a very young spirit, a hint of sweet alcohol and it then just fades into white spirit.

Mouth: Neutral again. I’m trying hard to uncover something. Young, mildly sweet alcohol. A touch of white pepper before the burn of a harsh young spirit leaves you with a warm tongue and nothing else.

In conclusion: If I had to guess and without any of the requested information, I’d say that the base 2 Year Old Rum was multi column Rum. I also don’t really see the need for it to be matured as its hard to imagine that it has any impact on the bottled product, predominantly because I just can’t imagine it being any more lacklustre than it is in its current form. The rectification has reduced what was probably in all honesty, a dull base rum, to a joyless neutral spirit. Resting a spirit in holding tanks to allow the multiple batches to marry, I’ve read about…..’Maturation’ in copper tanks however is straight up nonsense. A Caribbean Rum rectified in the UK does not become an English Rum…..but I’m glad to see that they’re not trying to pass it off as a product of its origin country…..and that country of origin should also be mighty thankful.

You may now be wondering what I actually expected from a bottle that can cost up to £20…..so I opened a couple of unaged and lightly aged & filtered Rums that cost the same or less than this bottling and carried out a side by side tasting. These were Alleyne Arthur’s White Rum from Barbados which cost me £6 (creamy, citrus oil, ginger, surprising body), Rum Bar Silver from Jamaica which cost me £22 (straight up Ester driven funk) and for the multi-column comparison I opened Don Q Cristal which cost me £20 (ginger, lightly floral, citrus). They all offer a far better experience than this bottling for similar money…..and let’s face it, you can buy Appleton Signature for £15 at times.

The really saddening thing to see is that this brand, which has built a solid reputation upon being associated with a trusted Rum producer, is being exploited and treated with such utter disdain in this way by a brand owner that clearly doesn’t care. Using the purchased Rum Sixty Six name, which up until this point has been synonymous with quality, severely and irreparably damaging it by unleashing this perfect storm of neutral spirit and meaningless marketing hogwash on an unsuspecting public is absolutely unforgivable.

This whole experience shows the complete disrespect that still exists from some quarters towards the category and the consumer.

0 / 5

© Steven James and Rum Diaries Blog 2020. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content.