Yeast in Rum (or S. Pombe Revisited)

Following on from the three part collected article titled “Aeneas Coffey, John Dore and Foursquare”, Richard Seale posted an in depth look at “Yeast in Rum” in a 6 part series on his personal page, with his agreement I have again collated them into one single reference article below.

Yeast in Rum (or S. Pombe Revisited)

Part One – Yeast History

Back in October/November 2019, I created a quite a stir with some comments and a very brief post challenging some of the myths being created around the novel sacred cow that is S. Pombe yeast. At Foursquare we carry out natural fermentations (which contain S. Pombe) and having made some ‘high ester’ rums last year, it seems a good moment to make a further comment giving more details on the work of Jamaican chemists Percival H Greg, Charles Allan and S. F. Ashby.

A Little History:

Yeast cells were among the first microbes seen in early microscopes and some of the earliest observations concluded it was produced by fermentation rather than the agent of fermentation. In 1755, Dr. Johnson is his famous dictionary defined ‘yest’ as ‘the foam spume, or flower of beer in fermentation’. See also his cross reference with the definition of ‘barm’.

Lavoisier (1789) investigated wine fermentation by qualitative methods and could not find a role for yeast in the reaction that produced alcohol. However, by this time scientists believed yeast (or ferment as it was called) played a role in starting the process. Berzelius called this catalysis. German Scientist Theodor Schwann identified yeast as a living organism and call it ‘zukerpilz’ – the sugar fungus (or sugar mushroom). His colleague Franz Meyen that provided the modern latin name in 1838 – saccharomyces cerevisiae – literally ‘beer sugar-fungus’ for the species of yeast in common use today (through the use of thousands of strains of the species). Pasteur also supported the idea that fermentation was a biological process, that is a process by living organisms.

Famed German biologist Justus Von Liebig disagreed with this ‘vitalist’ theory arguing that alcoholic fermentation was a purely chemical process – no living organisms were involved – and this led of one of the most famous disputes in Science. Liebig believed the yeast was kind of nitrogenous organic compound which decomposed the sugar and a product was deposited described as an insoluble ferment. This ferment could be used as ‘ferment’ in another sugar solution. Pasteur would eventually settle the debate through a set of brilliant experiments.

Ultimately neither scientist was entirely correct or entirely wrong. Eduard Buchner obtained pure samples of the fluid inside the yeast cell and discovered that the fluid could ferment a sugar solution despite the fact the yeast cell was obviously dead. He realised that fermentation reactions were a chemical process inside the yeast cell by what we know today as collection of enzymes. So alcoholic fermentation is after all a bio-chemical process. Buchner would publish his work in 1897 for which he would be awarded the Nobel Prize.

Pasteur’s work would extend to improving wine making. He observed that soured wine was caused by the presence of lactic acid. He further observed that sour wine contained not only oval yeast cells but small rod shaped bacteria. While alcoholic fermentation occurred via yeast, lactic acid fermentation occurred via bacteria. Pasteur developed the process of heating the wine to a specific temperature for a short time to kill the bacteria a process we know today as ‘pasteurisation’ which would eventually find widespread use in the beer, milk and juice industries.

Danish mycologist Emile Christian Hansen, working at the Carlsberg Laboratory would take yeast understanding a step further. Pasteur had not fully solved the problem of brewing cloudy and off tasting beer despite pitching bacteria free yeast cultures. Pasteur had seen yeast as homogeneous cells, Hansen was the first to isolate different strains/species of saccharomyces yeasts. He discovered that certain strains were directly responsible for the cloudy beer and so by isolating and selecting particular strains for the brewery the problem of cloudy and sour beer could be solved. So now it was necessary to not only eliminate bacteria from beer fermentation but also so called ‘wild yeasts’.

The work of Liebig, Pasteur and Hansen are important to understanding the work of two giants of the Jamaica Rum industry – the planter and distiller Leonard Wray and the chemist Percival H Greg which we will consider in Part two.

 

Part Two – Wray and Greg

Leonard Wray (family to the more familiar J Wray) published his famous treatise in 1848 and his understanding of fermentation was based on the work of Liebig.

For Wray, the nitrogenous matter that would initiate fermentation was already contained in the raw material and so no yeast (or ferment) needed to be added:

“it is seen that molasses and skimmings each contain sugar, gluten, and water; so that fermentation will occur spontaneously in them without the intervention of any foreign substance, such as yeast”

As Lavoisier had quantitatively demonstrated before him, Wray stated the elements of the yeast (the glutenous or albuminous matter) “take no appreciable part in the transposition of the elements of the sugar ; for in the products resulting from the action, we find no component part of this substance”

For Wray, as Lavoisier, the yeast had no part of the final product, for Wray “the peculiar flavour of rum is generally understood to proceed from the resinous, aromatic gum (or essential oil), contained in the rind of the cane”.

Wray relayed an anecdote which marvelously echoes today:

“It is not more than a few days ago, that I was asked by a person why yeast was not used by our sugar planters as ferment instead of dunder ; intimating in very significant terms, that he considered all the West India distillers a very choice pack of fools. Now, this person says that he has been for a long while manager of one of the largest distilleries in the world. He has written a pamphlet on distillation, with a view to enlighten the minds of all distillers, and no doubt fancies himself possessed of all possible knowledge of the subject. And yet this person, who is a clever man, and no doubt very competent to instruct English distillers, does not know what dunder is, or what is its use in the fermentation of wash.”

Wray in his seminal work put his erudite view in the strongest terms, “no foreign agent — such as yeast — is necessary. Nay, further, that such is extremely undesirable ; as it would change altogether the character of the fermentation” (my emphasis).

Wray’s understanding of fermentation was not precisely correct but in practical terms, he was not wrong. Moreover, he was prescient. Everything needed for fermentation was indeed there, no ‘foreign agent’ was needed but the rise of pitched yeast with isolated, sterile yeast strains would forever change the fundamental character of rum fermentation not just in Jamaica but in every rum producing country. Today, just a handful of rum distilleries operate under Wray’s philosophy, almost all of them in Jamaica, most notably the Hampden and Long Pond Estates in Trelawny.

The first serious challenge to this approach would come from Percival H. Greg. Greg was the first chemist to isolate individual strains of yeast as found in Jamaica distilleries. Greg was strongly influenced by the work of Emile Hansen and travelled to Copenhagen to work at the Carlsberg laboratory under the supervision of Hansen’s colleague, Prof. Alfred Jorgensen. At the Carlsberg Lab, he conducted a series of experiments on molasses and dunder sent over from Jamaica. Greg became convinced of the merits of isolating, selecting and pitching a strain of yeast as was now becoming practice in breweries and distilleries around the world. Writing in ‘The Sugar Cane’ in 1893, Greg advocated:

“Not only must we do away with spontaneous fermentation by using a ‘pitching’ yeast, as brewers term it, i.e. adding some previously prepared yeast to set our vats in fermentation at once, but I strongly recommend the selection and cultivation of a suitable type of yeast in a state of absolute purity”

Greg was not alone in his ideas. Pairault (1903) and Kayser (1913) also suggested that starter culture yeasts for rum production should be selected. Both Pairault (1903) and Kayser (1913) recognized that bacteria were also endemic to rum but in their view they negatively impacted on production efficiency and quality. Fahrasmane (2002) reported that “after 1918, some distillers in the French West Indies who wanted to increase the alcoholic yield decided to put into practice the advice of Pairault and Kayser on pure fermentations. Although the result was an increase in yields, the quality of these products evidently fell because of their increased chemical neutrality”.

The star of the show of the strains tested by Greg in Copenhagen was a fission yeast, aka Schizzosaccharomyces Pombe (S. Pombe) which he dubbed No. 18. It is this earliest work in yeast selection that still resonates today in those who believe this type of yeast to be the holy grail in the search for the best Jamaica rum. Following Pasteur and Hansen, Greg at this time saw bacteria as only a source of potential disaster.

Enter Charles Allan who took entirely the opposite view. We will examine that in Part three.

 

Part Three – Allan and Ashby

In 1903, the Jamaica Board of Agriculture decided to hire a specialist Fermentation chemist as well as to set up a sugar laboratory, a fermentation laboratory and an experimental distillery with a 50 gallon still with a “telescopic head” and detachable retorts. The purpose was to study rum making with a view to improving yields, quality and studying the types of yeast involved. Charles Allan would be given a three year contract for the role under the supervision of legendary ‘Island Chemist’, H H Cousins. In 1905, it was Allan who supervised the implementation of Cousins High Ether Process at a specially built plant at Hampden Estate. A process still in use today.

Allan was able to show that the “flavour” of Jamaican rum was not the result of alcoholic fermentation by yeasts but due to acidic fermentations by bacteria.

“The point I wish to emphasize at present is that the value of rum depends mainly on the secondary products [the congeners] it contains. I will show you by means of experiments in the laboratory that cane juice or molasses fermented by yeasts alone produce but very little of the secondary products. These, therefore, must be formed by other organisms, chiefly bacteria which swarm in the washes of Jamaican distilleries”

Allan contrasted the modern approach of breweries of his era with the approach needed by the Jamaican distiller to make the best rum.

“In the most up-to-date breweries now not only are all bacteria excluded but yeast which has been carefully cultivated from selected seed are only used. The effect of this on the article produced was to alter to an appreciable extent its flavour but it ensured its stability in character and in a short time the newly acquired flavour got to be appreciated. In the case of Jamaica rum however we have an article of a very different nature to deal with. The flavour is of a very pronounced character and is one of its chief assets. The flavour of beer is very delicate and is produced by the yeast itself whereas I am of title opinion that the yeasts contribute but a small amount of the flavour of rum”

Allan’s successor at the Jamaica Government Laboratory was S. F. Ashby. Ashby had also studied yeasts at Copenhagen and was the Bacteriologist at famous Rothamsted Experimental Station in the UK before arriving in Jamaica in November of 1905.

He set about to explore further the contribution of yeast to Jamaica rum. He set up ten experiments with sterile washes seeded with strains of the fabled S. Pombe, selected due to the earlier work of Greg. The results were a disaster.

“The rum could hardly be called by that name, and it showed the same character for all ten yeasts; in no case was any characteristic flavour produced”.

Ashby continued with another series of experiments where acid was added to the otherwise sterile washes seeded again with S. Pombe.

“The conclusion to be drawn from these experiments is that, whereas none of the fission yeast isolated from the estate washes was able to produce flavour on its own account, the top yeast owing to its slower fermentation admitted a greater amount of chemical ether production in a wash originally high in volatile acids. The latter result is in accordance with distillers’ experience as they consider that a wash showing a strong fatty head due to the top fermenting fission yeast yields the best flavoured rum.”

Ashby set up further experiments again with added acids but this time observing the behaviour of each species of yeast (S. Cerevisiae and S. Pombe) with each type of acid (acetic, lactic, butyric) these being the common acids in distillery washes (produced primarily by bacteria).

“The ability of the budding type [S. Cervisiae] to multiply and ferment more rapidly from the outset in the weaker acid liquors, like cane juice washes and fresh skimmings, explains why this is the only kind found in such liquor the acidity of which is generally under 0.5%. In the usual estate washes containing dunder, molasses, acid skimmings, and frequently specially added acid, [this would be known as ‘flavour’ made in a muck pit or trash cistern ] the budding yeast [S. Cerevisiae] is largely suppressed, but the more slowly developing and very acid resistant fission type [S. Pombe] takes possession, and is practically the only form found in washes the acidity of which is 1.0% and over”.

Ashby demonstrated in experimental work that the remarkable qualities of S. Pombe are not in its ability to produce flavour of its own account but its ability to make alcohol in washes that are set up to make the characteristic flavour of high ester Jamaica Rum. Its slow rate of fermentation is also particularly important in allowing these characteristic flavours to be developed rather than rapidly consuming the available nutrients and producing the sterilising alcohol which would retard their development.

After his contact was concluded, Ashby would continue to have an illustrious career, he would also work in Trinidad before culminating his career as the mycologist at the Imperial Mycology Institute located at the Royal Botanic Gardens in Kew.

In fact Greg too in his work had also demonstrated that S. Pombe was no panacea – a simple trial of No. 18 in the absence of dunder produced no flavour. In his final paper on Rum aroma published in 1895, Greg concluded:

“If one may be allowed to theorize a little, there seems sufficient grounds for concluding, from the results which I have up to now attained, that though the aroma of rum is in the first instance derived from the soil, that this influence is chiefly potential not actual; that it is latent , dormant , and only brought into existence during the process of manufacture”.

Greg was back to Wray even before the arrival of Allan and Ashby.

So what does yeast contribute? We look at that in Part four.

 

Part Four – Yeast Flavour

Yeast is a bit of sacred cow itself in distilling, not least of all the current fad of S. Pombe. The primary mission in this series of posts is to explain the role of yeast in the context of traditional Jamaica high ester rum, not to diminish its broader importance. The role of yeast in any spirit category is wholly dependent on the culture in which that spirit is made. Yeasts and bacteria are the organisms directly responsible to creating flavour in alcoholic fermentations. Allan summarised well the challenge of striking the balance between the two:

“In making rum the first consideration is to produce alcohol. This can be done by encouraging the development of yeasts but in so doing you are discouraging the growth of bacteria and again if you encourage the development of bacteria you are setting up conditions which are against the interests of the yeasts. You must choose a middle course and it is just here where our greatest difficulty arises.”

Fortunately yeast does not only make alcohol but flavour congeners are produced as by products of yeast metabolism. These include higher alcohols (propanol, amyl alcohol etc), acids (acetic, lactic etc) esters (ethyl acetate), acetaldehyde and diacetyl. Further esters are formed by combining the produced acids with alcohol. Nykanan and Suomalainen (1983) listed 400 flavour metabolites of yeast fermentation. Of course only the volatile ones that pass over into the distilled spirit would be relevant for rum or whisky.

Yeasts are not a typical fungus in that their spores do not migrate by air currents. They are thought to be carried in the stomachs of insects. Recent research in Belgium – Christiaens et al 2014 – showed that fruit flies could use the aromatic odour produced by yeast to find fruit. The yeast helps the fruit fly find the fruit and the fruit fly helps the yeast move around. In short, fruit flies defecate yeast, and yeasts defecate alcohol (and some nice smelling bits).

Yeast autolysis is the degradation (by its own enzymes) of the cell wall and its contents following the death of the yeast cell. Yeast death is not a function of age but of how many times the cell has reproduced. This autolysate or ‘yeast extract’ notwithstanding its foremost importance to making marmite plays an important role in flavour development in fermented wines and spirits. Autolysis is strongly influenced by acidity and ethanol both of which are abundant at the end of fermentation. Several flavour compounds are released during autolysis including fatty acids (which will make esters and aldehydes) and heavy esters (e.g iso amyl caproate), terpenes (thought to be the constituent of what famed Puerto Rican chemist Arroyo called ‘rum oil’) and higher alcohols such as iso amyl alcohol.

Yeast autolysis is a very important part of the champagne method where the where the wine is kept in contact with the yeast autolysate in the bottle. It is also known as the ‘sur-lie’ method for making white burgundy. The autolysate is also a source of nutrients for bacteria. Greg, in one of his caveats for using yeast No. 18 advised it was important that the ‘dead wash’ sit for a couple of days before distillation. Ashby noted that S. Pombe produced far more autolysate than S. Cerevisiae. This is because of the double wall thickness of the fission yeast. This extra biomass is mainly polysaccharides. It does not contribute to flavour in distilled spirits save for providing nutrients to bacteria.

So just how did Jamaicans strike the balance described by Allan. That is for part five.

(pictured – A schematic overview of the main metabolic routes inside the yeast cell contributing to the synthesis of higher alcohols and esters when inserted in the fermenting medium)

 

Part Five – Striking the Balance

The addition of dunder (and its analogs of sour mash in bourbon or backset in whisky) as practised by all rum makers in the West Indies from the 17th century was precisely to set the balance described by Allan. By adding the acidic dunder at the outset, the acidity of the wash was increased to bring it into a zone that was still tolerable for yeast but inhibitory to bacteria. Favouring yeast was paramount because making alcohol is paramount. No point having bacteria produced flavour if they have gobbled up all the sugar and there is little or no alcohol. Many distillers today still adjust acidity in their pitched yeast fermentations by the addition of sulphuric or other acids.

Jamaica (and to a limited extent Barbados) would dimensionalize the molasses/juice/water formula of Wray by the addition of soured juice skimmings and something literally called ‘flavour’. Flavour was produced by a sort of parallel bacterial ferment using cane materials in a ‘trash cistern’ or ‘muck pit’. Each high ester rum making estate developed their own formula and method for ‘flavour’.

It is this use of soured juice and ‘flavour’ that tips the pendulum of aroma development in Jamaica Rum to bacteria over yeast, not that we wish to understate the importance of their symbiotic relationship. The creation and addition of ‘flavour’ in the Jamaican high ester rum making is the cultural equivalent of a bourbon distiller selecting and pitching their own favoured yeast strain. For wine and beer, yeast is king. In Scotch whisky, they do not boil the wort as in beer but rather heat it to 64C for a short time and so some bacteria is inevitably present during fermentation. With the early dominance of pitched yeast, the bacteria, chiefly lactic acid producing bacteria makes its presence felt at the end of fermentation – no role required for S. Pombe. Yeast autolysis would provide the nutrient requirements for the lactic bacteria. Late lactic bacteria is now widely considered to have a positive contribution to the flavour of the whisky (Geddes and Rifkin 1989). So in Scotch whisky, yeast is still king but the pendulum is swung a little in the direction of bacteria.

Today nearly every beer, wine or spirit including much of the rum in Jamaica is now made by pitching selected yeast strains, the practice outlined by Hansen in the late 19th century. The yeasts used are mostly of the saccharomyces type particularly the species saccharomyces cerevisiae for which there are literally thousands of strains. Saccharomyces types have such broad application because it fits the needs of the distiller so well. It is very efficient producing rapid fermentations, dominant (killer strains release a toxin to kill wild yeasts), tolerant of high alcohol content and by species/strain selection it reliably produces the desired flavour.

The yeasts used in whisky industry are mostly S. cerevisiae although various secondary species have been used. Lager yeast is S. pastorianus, ale yeasts include S. cerevisiae and apparently some S.bayanus strains. The wine industry mostly use S. cerevisiae and/or S. bayanus. Some wine makers and craft brewers use non saccharomyces types including Kloeckera, Saccharomycodes, Schizosaccharomyces, Hansenula, Candida, Pichia and Torulopsis. The use of non saccharomyces types is more practical in brewing because they can use a sterile wort. Trying to use non Saccharomyces types in rum is impractical as wild Saccharomyces strains will quickly dominate. Peynaud & Sudrand (1986), Haraldson and Rosen (1984) and Fahrasmane et al (1986) all found that Schizisaccaromyces strains in pure culture produced very few congeners.

In the past, Schizosaccharomyces yeasts were often detected in wines suffering from organoleptic faults through the appearance of sulfidric acid (hydrogen sulphide), acetic acid, acetaldehyde, acetoin and ethyl acetate. Most of these would not necessarily be a fault in rum making. Further research with highly selected strains of S. Pombe showed much better results (for wine) but their attraction for wine making was more related to the ability of this yeast to degrade malic acid rather than any remarkable aromatic profile. It should be noted that Ashby reported the existence of a ‘fruit ether’ yeast of the budding type, that is to say it was not S. Pombe.

It has been suggested in some circles that S. Pombe needs to be “reintroduced” into rum making. It is a ridiculous statement, it never left. S. Pombe plays its usual role at Hampden estate as it has done for over 250 years and S. Pombe can be found wherever rum is made. Several early studies identified S. Pombe in molasses and juice in rum distilleries in the Caribbean. More recently Fahrasmane (1988) found S. Pombe prevalent in Haitain distilleries. Bonilla-Salinas et al (1995) found S. Pombe in Mexican distilleries and Green (2015) found significant counts of S. Pombe yeasts in molasses at Bundaberg in Australia. You can find S. Pombe in our fermentations at Foursquare where their role varies depending on the rum to be produced.

The revised interest and circulation of the papers of Greg, Allan, Ashby et al by bloggers, enthusiasts, distillers and writers is absolutely to be applauded. I cant praise these efforts enough. That this 100 year old work still serves as inspiration to younger craft distillers is a joy to observe. My caution is not to take the work in isolation and consider it hand in hand with later work and the practical operations of West Indian Rum today that has built on and added to that knowledge. That such is not readily available via google should not detract from its value. As Wray warned, do not take the West Indian distillers for a ‘pack of fools’.

We do not need to reintroduce S. Pombe to rum, what we need to do is protect the traditional way in which it is used.

We will consider that in part six.

 

Part Six – The Jamaica GI

The core of traditional Jamaica rum making is the art of using simply sugar cane derivatives, spontaneous fermentation and batch distillation. Distillers were able to improve and innovate without ever breaking these fundamental core principles. In 1893, the year Greg published his first paper, 148 Jamaica distilleries operated this way. By 1948 there were just 25. Today just one distillery owner exclusively practices these methods. Pitched yeast and continuous distillation have changed Jamaica Rum (and Barbados Rum) forever as warned by Wray and J C Nolan (special commissioner to the UK for Jamaica rum) respectively. These two horses have bolted. There is no putting them back. But we can stop here and forever protect these methods.

In 2016, the Jamaican distilleries by unanimous agreement restricted the addition of fermentation agents ( those foreign agents of Wray! ) to yeast and only to yeast of the saccharomyces types. There was no restriction on native yeasts and bacteria proceeding in their normal spontaneous and natural way. How could they? Forced Sterilisation? One-third of the shares in a single Jamaica distillery changed hands in 2017 and since then, that pernicious shareholder has sought to discredit the GI as registered – most wickedly by mischaracterising the GI restriction as “narrowing to one genus of yeast we are wiping out hundreds of years of history of rum making”. Willful ignorance or just ignorance, I let my hopefully now better informed readers be the judge.

The distillery has now demanded through their team of lawyers that the Jamaica IP office unilaterally rewrite the GI to their personal specifications despite the protests of the remaining three distillers. One of my Jamaican colleagues, very high in the industry there, called this “insidious re-colonialization, putting his own selfish needs ahead of the industry and in contravention of the spirit of the GI.” I call someone who acquires a minority interest in a Jamaica distillery in 2017 and who then demands the GI be rewritten to their unilateral specification a megalomaniac.

Among the demanded changes, all designed to render the GI nugatory, is a demand to add other fermenting agents including bacteria. So pitched yeast and now pitched bacteria. A kind of rapid, cheaper ersatz Jamaica rum to be made and sold under a cloud of trite, hyperbolic marketing clichés. Pitched yeast and pitched bacteria take us further away from the true terroir of Jamaica Rum.

I suspect part of the motivation to rewrite the GI is the delusion based on the once again trendy advocation of Greg that magical Jamaica Rum will produced by simply pitching S. Pombe. It takes a high level of Dunning-Kruger type stupidity to think you are going to “innovate” Jamaica Rum by simply changing the brand of added yeast. You need to take West Indian distillers for a ‘pack of fools’ to believe this.

I will let Maggie Campbell, artisan distiller, yeast guru and esteemed colleague have the last word:

“It is wise to remember this is the life’s work and lived experience of these GI supporting Jamaican producers, they are not unwise or foolish, rather they are guardians of their culture and community. No one needs to benevolently jump in and fight to save Jamaican rum from itself, they are protecting it just fine themselves and the GI laws are set up to do just that”.
“If you do not want to participate in the community standards and cultural practices then you do not also get to demand instant access to leverage that community’s and culture’s hard won reputation for excellence.”

 

Again, huge thanks to Richard for allowing me to collate and reproduce the information here

© Steven James, Rum Diaries Blog and Richard Seale. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James, Richard Seale and Rum Diaries Blog with appropriate and specific direction to the original content.

Rum Exchange Belize 2009

This wont be the first time that you’ve encountered a Rum Exchange release on these pages. Rum Exchange is Facebook Group that was created by Andreas Isopp to provide a platform for bottle and samples trading, but much more than that, it is also a company that was set up to facilitate the introduction and selling of Rums that not considered ‘mass market’. They take complete control of the import, trade and distribution of these brands and products. They provide a link between producers, retailers and consumers. I first covered their Rum Exchange Jamaica Trelawny back in August, which was release #001 for them. This Rum Exchange Belize 2009 from Travellers Distillery is release #003 for them. But a little about the distillery first.

In 1950’s Belize, sugar was a popular and plentiful commodity and seemingly on the surface everyone that owned a Plantation was bathed in wealth and producing their own Rum. Enter Jaime Omario Perdomo Sr. (Don Omario), a man with very humble roots who in 1953 opened a bar in Belize City. Given that his bar gained most of its custom from people travelling in or out of the city, Travellers seemed to be the most appropriate name. Travellers sold imported spirits and beers alongside locally produced Rums. At the time in Belize, the custom was for bars to create their own Rum blends and offer them for sale exclusively through their establishments and Don Omario was no different. He created his unique blends combining varying flavours and essences. As the exclusive Rum blend for Travellers proved popular, Don Omario sought a more consistent base for the blends. This proved to be more and more difficult as growing competition in the Rum manufacturing business meant that it was becoming harder to obtain spirits of a consistent enough quality. To overcome this, Don Omario entered into partnership with Luis Alberto Espat who agreed to build a distillery for him in Belmopan. Joined by his sons, Romel and Mayito in the 1970’s, the company began to grow in size. In 1983, Travellers was registered as a limited company and in 1989, when Luis Alberto Espat decided that he wanted out of the business, Travellers purchased his share of the company gaining full control over all aspects of the business for the first time. In 1992, Travellers upgraded its facility moving away from utilising acids to expedite its fermentation process and now, for their Rum (other spirits / alcohols are produced on site) they employ natural fermentation using locally sourced molasses and a double distillation in their triple column continuous still. Maturation is carried out in ex bourbon barrels at their facility.

Now most of us will have at some point had a run in with their most famous export, One Barrel…..a truly horrific concoction. Five Barrel doesn’t fare much better…..but apparently their Don Omario range breaks the cycle for their distillery bottlings. We have also seen other releases from Tiburon, Fair, That Boutique-y Rum Company, Cadenhead’s, Duncan Taylor, Whisky Broker, SBS, Kintra and The Duchess…..and now we have the Rum in question today, Rum Exchange Belize 2009.

Rum Exchange Belize 2009 – 60.8% abv – Modern Rum – 0 g/l additives

Distilled using local molasses, natural fermentation and a double distillation on their triple column continuous still in 2009, this Rum was matured in a tropical climate at the distillery in an ex-bourbon barrel until 2019 when it was bottled. A release of 288 bottles at an abv of 60.8%, this has no colouring, no additions and has not been chill filtered. With that said, lets have a look at how this fares.

Tasting Notes

Nose: A touch of solvent…and weirdly liquid paper, soon dissipates to usher in quite an apparent barrel led nose with plenty of splintery wet wood. Toasted coconut, a hint of vanilla. Charred wooden splints. A possible very light sulphur, but it doesn’t stick around. The alcohol definitely doesn’t interfere with the experience and it all remains quite calm and balanced providing you don’t shove your nose into the glass. Milk chocolate over sweetened coconut chunks. Something bitter but nutty, maybe a touch of walnut and maple syrup with the corresponding levels of bitterness. There’s also a caramel aroma, not burnt sugar caramel initially….more Caramac bar. A little perfumed and floral. Portuguese Custard Tarts too with their sweet custard and buttery crispy pastry.

Mouth: The entry is a little heated and initially carries none of the sweetness from the nose. As you acclimatise the heat builds with spicy, peppery barrel notes. This is quite cutting and dry straight away. What strikes you is just how big a mouthfeel this Rum has…not viscose, but more of a palate weight feeling. It’s a little in the ball park of a well aged Barbados Rum initially. Mid palate the spice and moisture sapping oak gives way a little to reveal mixed nut brittle, white and milk chocolate florentines. Cold Custard and warm Madeira cake. The Caramac from the nose makes an appearance. The oak remains a prominent characteristic of the experience through to the finish which carries a decent length and hangs vanilla, peppery barrel spice and a touch of walnut bitterness on the woody spine.

In conclusion: Beautiful development from nose to palate. Very well balanced and approachable even at its 60.8%. The nose is warming and carries enough interest to hold your attention with equal measures of wood influence and sweeter notes. The palate doesn’t succumb to the sweetness of the nose and it retains a pleasant woody character throughout with the light bitterness, mildly sweet / spicy interplay and pleasing weight lifting this Rum way above my expectations. Forget One Barrel……this is good stuff.

Not quite a 4.5 but more than a 4. Lets call it a 4.25.

4 / 5

© Steven James and Rum Diaries Blog 2020. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content.

Rum Sixty Six ‘Fine English White Rum’

I first saw this release when a friend sent me an image of the bottle. I was very intrigued as I know that Rum Sixty Six is a brand that for a good few years, a lot of us have trusted solely based upon the fact that it is / was a Foursquare product in the bottle. I mean, just look online for reviews of their Cask Strength 12 which is astonishingly good, their Family Reserve which has been upped to 43% (my own review of the 40% release from back in 2015 is available here) and the newer and younger of the aged releases which is their Extra Old 6. The Rum Sixty Six brand is owned by The Bajan Trading Company and in the tradition of all Rum brands, there was a back story…..

So, the Sixty Six of Rum Sixty Six refers to the 30th November 1966 which was a date that saw the Barbados Independence Act 1966 come into effect. The Act also presented the ability for a new constitution to take effect upon independence and this was actioned through the Barbados Independence Order 1966. This effectively made Barbados the fourth English speaking country in the West Indies to achieve full independence from the UK. A coat of arms adorns the bottle with the motto ‘Pride and Industry’. This coat of arms was adopted on the 14th February 1966 by decree of Queen Elizabeth II. The Family Reserve aspect refers to the fact that due to production costs and the effects of evaporation on long aging of Rum in Barbados, the quantities of Rum aged for this time period are reduced and their allocation reserved for family. With an allocation given the the British branch of the family which emigrated in the 1960’s. Up until the launch of Rum Sixty Six, it was only ever exported when members of the family returned home with unmarked bottles after visits to Barbados. So now that is out of the way…..

In 2016, Halewood Wines & Spirits purchased a significant stake in The Bajan Trading Company and initially really upped the profile of the brand, adding the aforementioned 12 Year Old Cask Strength and the 6 Year Extra Old as well as increasing the abv of the Family Reserve to 43%.  Sadly of late though, the Rum Sixty Six brand has seen itself appear at Rum Festivals on the same table as the Dead Man’s Fingers range……and I’ll be brutally honest, it looks completely out of place for a brand with such provenance. When I looked further and closer at the rest of the range, I picked up that although the Family Reserve and Cask Strength are still labelled as Barbados Rum from Foursquare, the 6 Year Extra Old offering is now labelled as a 6 Year Old Panama Rum……which brings us nicely onto the bottle that is up for assessment today……Rum Sixty Six ‘Fine English White Rum’. I picked mine up from The Drop Store for £13 down from £16 for a short while and the service received was great….the bottle is priced at around £20 on most other sites.

Rum Sixty Six ‘Fine English White Rum’ – 38% abv – 0g/l additions

There doesn’t seem to be a huge amount of information around about this release……it’s almost as if they want it to slip under the radar. I have sent several emails to Halewood with hopes of gaining information regarding the sourcing of the Rum and further details but as yet I have not received a response. What I am 100% sure of is that this is NOT a Foursquare Rum Distillery product. So all that we have to go on is the bottle information. A 2 Year Old ‘Caribbean’ Rum is imported to the UK where it is rectified at the Sovereign Distillery in Liverpool. This is then rested and ‘matured‘ in copper tanks. Apparently the result is an ‘outstandingly smooth white rum’.  What’s also amazing is that the rectification of a Caribbean Rum in the UK also makes it an English Rum…..Lets have a look.


Tasting Notes

Nose: Initially the nose on this is very neutral. In all fairness, even an hour in and its still very neutral. It has the spike of a very young spirit, a hint of sweet alcohol and it then just fades into white spirit.

Mouth: Neutral again. I’m trying hard to uncover something. Young, mildly sweet alcohol. A touch of white pepper before the burn of a harsh young spirit leaves you with a warm tongue and nothing else.

In conclusion: If I had to guess and without any of the requested information, I’d say that the base 2 Year Old Rum was multi column Rum. I also don’t really see the need for it to be matured as its hard to imagine that it has any impact on the bottled product, predominantly because I just can’t imagine it being any more lacklustre than it is in its current form. The rectification has reduced what was probably in all honesty, a dull base rum, to a joyless neutral spirit. Resting a spirit in holding tanks to allow the multiple batches to marry, I’ve read about…..’Maturation’ in copper tanks however is straight up nonsense. A Caribbean Rum rectified in the UK does not become an English Rum…..but I’m glad to see that they’re not trying to pass it off as a product of its origin country…..and that country of origin should also be mighty thankful.

You may now be wondering what I actually expected from a bottle that can cost up to £20…..so I opened a couple of unaged and lightly aged & filtered Rums that cost the same or less than this bottling and carried out a side by side tasting. These were Alleyne Arthur’s White Rum from Barbados which cost me £6 (creamy, citrus oil, ginger, surprising body), Rum Bar Silver from Jamaica which cost me £22 (straight up Ester driven funk) and for the multi-column comparison I opened Don Q Cristal which cost me £20 (ginger, lightly floral, citrus). They all offer a far better experience than this bottling for similar money…..and let’s face it, you can buy Appleton Signature for £15 at times.

The really saddening thing to see is that this brand, which has built a solid reputation upon being associated with a trusted Rum producer, is being exploited and treated with such utter disdain in this way by a brand owner that clearly doesn’t care. Using the purchased Rum Sixty Six name, which up until this point has been synonymous with quality, severely and irreparably damaging it by unleashing this perfect storm of neutral spirit and meaningless marketing hogwash on an unsuspecting public is absolutely unforgivable.

This whole experience shows the complete disrespect that still exists from some quarters towards the category and the consumer.

0 / 5


© Steven James and Rum Diaries Blog 2020. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content.

Whisky Auctioneer Random Rum Tasting

A little bit of a strange one but just run with it……Back in May, the website Whisky Auctioneer held their first dedicated Rum Auction. They decided to do this as they believe that they had seen a significant rise in the number of Rums being entered in their regular monthly Whisky Auctions. As a result of this and to promote their auction at the time, a few writers were asked to write a series of notes about bottles that were to be entered into the auction. Different writers received different bottles. I received a suitably eclectic selection and I had sat on these notes for a few months to ensure that I wouldn’t be posting information on bottlings that would never see the light of day anywhere. But truth be told, I have seen close to all of these bottles pop up on Auction sites in the past few months and some are readily available still so I thought that this would be worthwhile sharing. No real background information, just quick fire tasting notes……so here goes.

Ron Zacapa Centenario Etiqueta Negra – 43% abv – Modern Rum

Nose: Quite confected. A caramel bitterness. Noticeably viscous due to the post distillation additions. Creme Caramel. Wood influence is minimal. Milk chocolate. Prominent coffee notes.

Mouth: Very sweet entry. Almost no alcohol from the spirit which is a slight worry. Palate remains consistent with the nose. Caramel. Fudge. Milky coffee. Chocolate milkshake. Bitterness and a touch of wood influence on the relatively short finish that adds darker chocolate notes to the palate.

Just disappointing. Similar to others in the range to be honest. The extra 3% abv helps lift it above something that you’d expect a child to drink but it’s just dulled due to the additions. Even a nip of harshness from young alcohol would be welcome but it drinks like boozy chocolate milk.

0.5/5

 

Havana Club 15 – 40% abv – Modern Rum

Nose: Classic longer matured a Havana a Club nose. Prominent honey and vanilla pod. Milk chocolate. Sweetness. A lot of sweetness. There is also a sour note. Tobacco is definitely hanging around but it’s nudged out of the way by the over zealous sweetening and honeyed notes.

Mouth: Honeyed entry carrying a light floral but syrupy sweetness. There is a touch of spice backing this up. Fresh green apples. Vanilla. Cocoa. Sweet wine like notes. The finish is of medium length and is what I now expect from Havana Club. A little peppery barrel spice, mild tobacco and milk chocolate.

I don’t really touch Cuban Rums nowadays, and this is a classic example of why. They’re a touch “samey”. They have hints of promise but fail to deliver consistently for me. Nose outperforms palate close on 100% of the time.

1.5/5

 

Velier 70th Anniversary Chamarel 2010-2014 – 56.5% abv – Vatted Single Rum

Nose: Heavily spice driven. Fennel seeds. Fenugreek. A hint of jeera. The vibrancy of fresh cane and the sweetness that it brings. Cinnamon. Black pepper. There is also a growing anise note reminiscent freshly cut fennel. Dusty wood, vanilla and red bean paste.

Mouth: Very spicy entry with the full heat of the alcohol hitting hard. Quite apparent fruit carried on the sugarcane notes. Hazelnuts. Lots of dusty oak and wet cardboard. Celery. Definite notes of chicory and the associated bitterness. The finish is led by growing wood spice, drying oak and the ever present cane notes. Not hugely complex but it drinks well.

I fortunately own a bottle already. Not massively complex but it’s spice led approach work and the experience is pleasant. It’s a good drinker.

3/5

 

Velier Enmore 1987 Full Proof – 56.6% abv – Traditional Rum

Nose: Quite a bit thinner than expected. It’s a little spirity and there’s certainly a touch of fuel about it. Conference pear slices with fresh cream. Mid palate brings chocolate. Powdery cocoa. Royal icing. Cookie dough. A hint of spice and wet wood.

Mouth: It hits with a lot of heat and a lot of spice. Citrus oil. A saline like quality. Caramelised Sugar. Vanilla. Creme brûlée. Light wood. Plenty of pepper. Candied citrus peels. Raisins. The finish fades and is the sum of its parts with light oak, vanilla, cocoa and mixed raisins and peels.

I found this too ‘spirity’ and not forthcoming…I also found it lacking in depth.

2/5

 

Damoiseau 1980 (Damoiseau Release) – 60% abv – Traditional Rum

Nose: Full on medicinal heaven. Sticking plasters. A lot of depth. Cough sweets. Liquorice. Bronchial cough mixture. It carries heft but is remarkably approachable. It plays very nicely. Time brings a developing fruity character. Black cherry yoghurt. Sour cherries. Victoria plums. A hint of florals and a cologne like nature that brings a sharper aspect and allows spiced oak to show itself.

Mouth: Medium body and carrying a pleasant mouth coating oily quality. The bitterness of a classic tropically matured Demerara. Liquorice sweets and liquorice root. Warm prunes. Sweet and bitter in equal measures. Bourbon cherries and an almost dairy quality. Quite medicinal still as on the nose and the mid palate brings cloth sticking plasters, salted Dutch liquorice and stone fruit. The finish just goes on and on. It remains consistent with the beautiful depth of liquorice, stone fruit, bitter / sweet interplay. Kop kop sweets. Cough mixture. A hint of salinity grows. This is a very, very good rum.

If I could afford it….I’d buy it. It hits so many sweet spots for me. Medicinal. Liquorice. Stone fruit. Saline. Floral. It’s why I love the Bellevue independent bottlings. A deep, flavourful and aroma packed delight.

4.5/5

Preparing these notes was good fun spread over a week of tasting. Some were instantly forgetful, some were good drinkers, some were disappointing and one was an absolute belter. I consider myself fortunate to have got to try them and I hope that you enjoyed this eclectic set of notes.

© Steven James and Rum Diaries Blog 2019. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content.

William George Rum

A few weeks ago at Manchester Rum Festival I got to meet a chap named Andrew Nicholls promoting a Rum. That Rum was called William George. I had been enjoying my bottle for a few months now so it was good to put a face to the brand. Andrew himself is one of the founders and oversaw the blending of the Rum. He started life as a bartender in January 2000 and only recently gave that up at the end of 2018. Andrew is the Netherlands Rum Educator for WSET and was the Benelux Representative for the ACR (Authentic Caribbean Rum) programme. On top of this he has gained awards for his bartending and bars, is part of the seminar selection committee for Tales of the Cocktail and is also on the judging panel for ‘Worlds 50 Best Bars’……His list of accolades is far more impressive than anything I can muster….though I do have a 25m swimming badge and a certificate marking my third place in the school ‘egg and spoon’ race in 1985.

There is also a story behind the Rum, so if you’ll indulge me I’ll recount it below.

William Simpson

Andrew created this blend to honour his two grandfathers…..can you guess their names? Yep….you got it…..William and George. William Simpson (above) and George Nicholls (below) were Grandfathers to the two founders of William George Rum….Andrew and Richard Nicholls.

George Nicholls

William moved from England to Zambia in 1938 and returned to England to serve in World war II….he then returned to Zambia after the war. George moved from England to Zimbabwe in 1956 after also serving in World War II. Both men developed a love of Africa and they would have been in Africa at the same time in 1956, though they were living in separate countries. This connection ties through to the imaging used on the labels. Housed in a tall and elegant bottle, the label is quite unique and detailled. William lived in Zambia and George lived in Zimbabwe. On the border between these two countries is Victoria Falls. The quill on the compass is pointing to 11 degrees west of magnetic North which in 1956 would have been true North when calculated from Victoria Falls. Further label details connect to the Rums namesakes with the font being taken from a 1964 Certificate of Baptism that George had signed as Godfather to his friends child. The handwritten element reflects the writing found in a letter that William sent to his wife (Andrew and Richards Grandmother) in the 1950’s and the wording you see reads ‘blissful happiness for decades of time’. This is what was written by William in the letter to Wendy. So there you go. Lets have a look at the bottle contents.

William George Rum – 43% abv – Blended Rum

It looks to be that the blend has been put together without any emphasis on age or origin, instead attempting to focus on the flavour profile and the core value of no additives. The information on the bottle tells us that the Rum has been blended in Amsterdam, so that will be at E&A Scheer. It is a blend of six Rums in total. Four Pot Still Jamaican Rums and two multi-column Trinidadian Rums. The Jamaican Pot Still components which make up 61% of the blend are all unaged. They are from Hampden, Worthy Park, New Yarmouth and Clarendon. The multi column Trinidadian components which account for 39% of the blend are obviously from Angostura. One of them is unaged and the other is a blend of 2 to 5 year old Rums matured in 200 litre ex-bourbon barrels which are then carbon filtered to remove colour. The ester range of the marques used within the blend ranges from 100 gr/hlaa to 900gr/hlaa with the total volatile count of the final blend being 317.1 gr/hlaa.

Tasting Notes

Nose: Nice and oily in the glass with legs taking an age to form. There’s no doubting or avoiding the fact that this blend has a majority Jamaican pot still component within. Bright grassy cane notes. The merest hint of the familiar aroma of Uncle Wray. Molasses. Creamy. Tinned fruit cocktail and single cream. Candied sweetness of pineapple rings in juice. A good balance is struck as just when you get your nose lost in the unaged pot still, the lighter aged column notes lift to the surface and bring with them vanilla. Citrus oil and a little bright fruit sweetness linger almost permanently as you approach the glass and as the liquid heats up it morphs into warm banana fritters. A little ethyl acetate creeps in right at the back end. Plenty to enjoy here.

Mouth: Not as sweet an entry as the nose eluded to but it’s definitely as oily as the appearance led me to believe. Plenty of grip on the palate with a little heat. A hint of tinned strawberry soaked trifle sponge. It’s all pot still up front and very approachable….also massively enjoyable neat. Grassy vibrant cane plays alongside the merest hint of white pepper and the zip of citrus. Sugared almonds. A mixed bag of creamy Macadamia and Cashew nuts. Sweetened whipped cream and peaches round things out. Growing heat.

Not as entertaining on the palate as it is on the nose (maybe a lift to 46% would assist?) but that is not meant to do the palate a disservice….it wouldn’t usually see regular rotation neat for me but it has done since I opened it. Dare I say it that I’m also mentioning it in the same sentence as Veritas……which is quite frankly a superb Rum and is high praise indeed….though this does sit around £10 higher in price than Veritas. Its designed to mix well but also to display and retain its character….and it does. It makes a superb Daiquiri (I do enjoy prominent pot still in a daiquiri) and a very refreshing Rum and Tonic. Also…..I love a Banana Daiquiri, and with a more than 50% pot still component, this does a hell of a job. My bottle was picked up from the chaps at Skylark Spirits on their Amazon Store.

© Steven James and Rum Diaries Blog 2019. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content.

Flor de Caña 12 Centenario Slow Aged

Flor de Caña which translates as Sugarcane Flower from Spanish is a product from a distillery that traces its roots back in excess of 125 years.

In 1875, Alfredo Francisco Pellas Canessa, a young adventurer from Genoa, Italy traveled Nicaragua. He initially decided to operate a short and safe steam boat route through Nicaragua to transport passengers and goods from the East Coast of the US to the West Coast at the height of the California Gold Rush. This route was a success, but as news broke about the construction of the Panama Canal and the U.S. coast-to-coast railroad, Alfredo Francisco decided that it was time to change direction. In 1890, he located the setting for the Flor de Caña distillery at the base of the tallest and most active volcano in Nicaragua. The fertile soil of its surrounding lands, the water and the hot volcanic climate proved to be instrumental in forging the rum’s ethos. Since 1890 the sugarcane mill and distillery have been located in Chichigalpa, North West Nicaragua at the base of the San Cristóbal volcano.

The process continues under the supervision of the same family, 5 generations later. Through its history, the brand, the company and the family have survived a plane crash, dictatorships, civil war, nationalizations, hyperinflation, fires, hurricanes, earthquakes and volcanic eruptions. It remains a family concern.

That’s the background marketing and tall tale out of the way…..now let’s get into the Rum.

It has to be noted that Flor de Caña have had huge issues with CKD (Chronic Kidney Disease) amongst its cane field employees and the press has not been good. The whole issue sounds appalling. Apparently steps have been taken and I’ve read about investment in hospitals and a further promotion and reach for Rainforest Alliance and Fair Trade Certification. There are plenty of articles online covering the CKD issue and the remedial steps taken (hopefully as a result of the issue and not as a result of the impending release of the information at the time) therefore there is no need for me to shift focus away from the product review. It cannot however just be swept under the carpet.

Flor de Caña Centenario 12 Slow Aged – 40% abv – Modern Rum

Flor de Caña as a product was first distributed by Campañia Licorera de Nicaragua SA based in Managua in 1937. As a company they pride themselves on their sustainability via their renewable energy use, their volcanic soil, climate, water supply and the fact that they claim to not utilise post distillation additions. Speaking of distillation, it is entirely multi-column distillation. Not an immediate route to a product lacking aroma and flavour. Just see Don Q for proof that the flavourless argument doesn’t stand up to scrutiny, but it is however an indicator of a lighter style of Rum. Maturation takes place in ex-bourbon barrels that are apparently ‘sealed with Nicaraguan plantain leaves’. With reference to the large meaningless number ’12’ on the bottle, and then the also vague ‘ Slow Aged’, I have varying and slightly conflicting information. They do not utilise a solera system, which cancels that theory out. I have seen it written that a brand representative had advised someone that ‘banana leaves are put in the barrel to promote slow ageing’. I assume this would possibly hark back to the statement above regarding plantain leaves and maybe that would promote less exchange through the barrel if it is lined with these leaves therefore slowing maturation. I have also recently seen information stating that the number is an ‘average’. The 7 Slow Aged would be a blend of 5 to 9 year Rum, the 12 Slow Aged here would be a blend of 10 to 14 year old Rum as apparently they don’t exceed 2 years either side of the stated number. Whichever theory is correct, if either are, it is a large prominent number designed to mislead next to a random phrase that is totally meaningless. It works for them though as websites list it as 12 Years Old and people talk about it as a 12 Year Old Rum….and the consumer loses out yet again. I’m not a fan of designed in, purposeful ambiguity and misleading numbers. We have neither a guaranteed minimum age nor an explanation for the number on this bottle. There is also a lack of explanation on the website. For a company that has been striving for accreditation for its processes and one that is keen to highlight that it doesn’t use additions, its a shame that it doesn’t apply as much effort to its label clarity. They are however clear to point out however that this is in their ‘Ultra Premium Collection’…..whatever that is.

Tasting Notes

Nose: Very light. A touch of up front alcohol…perhaps more youth than alcohol. It’s also carrying a little sharpness. Light floral notes and freshly cut apples and grapes. Sweetness creeps in with a hint of caramel pennies. Not much action from the barrel as far as wood influence is concerned. No depth to speak of.

Mouth: Very light and unassuming entry. Not a lot of body to it. Maybe an initial flavour reminiscent of rubber balloons……a hint of caramel follows with the merest whiff of milk chocolate. A suggestion of sugared almonds….it also carries their disappointment too. Mid palate shows a bit of barrel spice and the oak does start to cut in and provide a drying quality but the lack of body and mouthfeel means that it’s short lived in both the mouth and the memory. It’s very flat. What you are left with is a thin and watered down, mildly woody experience and a really apparent and unpleasant bitterness that just grows….like biting into an unseasoned, roasted, mini unripe gourd. The very short finish is a simplistic with light oak and a touch of brown sugar. The bitterness doesn’t want to leave either and it is the only facet of the oak that dominates, or even influences to a greater extent.

1.5 / 5

It was going to be 1 / 5, but it gained an extra half mark as it would’ve been so easy to try and manipulate this product with additions, but this measured clean and doesn’t taste doctored in any way. I usually like bitter flavours. I enjoy the extreme bitterness of Korola, I always choose good quality dark chocolate and I’m also a fan of the bitterness in old demeraras, but here its just unpleasant when coupled with the rest of the lacklustre experience. It’s instantly forgettable, insipid, thin, watery boredom bottled. Price wise it is £35 in the UK, and I can think of numerous bottles not as costly, some even utilising the same distillation method, that are so much better than this rum. The nonsense number also leaves a bad taste in my mouth. That said, the ‘7 Slow Aged’ is much better than this.

*Hydrometer Test Result – Label stated abv 40% – Measured abv 39.5% – 0-5 g/l additives*

© Steven James and Rum Diaries Blog 2019. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content.

Havana Club Tributo 2019

I was fortunate enough to have recently been asked if I’d like to try a small sample of the new Havana Club Tributo 2019. Not wanting to miss out on the opportunity I said yes. There is a little accompanying background information on the release that I’d like to give prior to my thoughts.

Havana Club Tributo 2019 marks the fourth iteration of this series of releases. The 2019 Havana Club Tributo release has been blended by three generations of Maestros del Ron Cubano. Don Jose Navarro, Maestro del Ron Cubano; Asbel Morales, Maestro del Ron Cubano; and Salome Aleman, the first and only female Maestra del Ron Cubano were tasked with selecting a rare and extra-aged Rum base representing their own style and laid down in the decade of their appointment to their position. 1970’s. 1990’s and 2010’s respectively. These base Rums, including and additional one that had been matured in rare Cognac casks were combined and then blended again with a Rum that has spent in excess of 25 years in French Oak. Presentation wise the Rum comes in a wooden box and each of the available 2500 bottles are individually numbered and will set you back €400.

So there you go. Some particularly old Rum sitting within this bottle, and quite a commanding price tag to go with it. But what does it taste like?

Havana Club Tributo 2019 – 40% abv – Modern Rum

Tasting Notes

Nose: The Rum is a very intense proposition. Quite heavy and dominant oak leads as expected for something with components of this age. There is a welcome astringent bite of French oak that really increases the pungency of the Rum in the glass. Dried fruit comes to the fore with particular emphasis on candied fruit peels accompanied by a burnt sugar. Dried apricots, flamed orange peel and a little fruit cake spice such as clove, nutmeg and cinnamon. It remains quite tannin led and its all the better for it. The trademark leather and the merest hint of cigar box are present but the French oak really lifts the nose on this above other Cuban Rums that I’ve tried and brings a lot more complexity to a style of Rum that I have grown a little disillusioned with.

Mouth: A sweeter entry than desired and this is accompanied by a far lighter mouthfeel than expected. Quite simplistic to begin with….Vanilla. Fruit cake with a brown sugar crust. A freshly opened bag of dried prunes. Lightly toasted almonds. Custard and buttery shortcrust pastry. In actual fact, the palate remains quite simplistic and is lacking the complexity hoped for. I expected more of that wonderful oak that was found on the extremely impressive nose, but sadly I’m left wanting. Sure there is oak, but nothing like the intense drying behemoth that I expected. I get the feeling that sweetening has been added to combat the effects of the extensive maturation, maybe even to assist in cigar pairing. Unfortunately this is dulling the experience rather a lot for me. The finish is a relatively lengthy one with fruit cake mix, mild oak and the trademark cigar box.

2 / 5

*Hydrometer Test Result – Label stated abv 40% – Measured abv 39% – 3.9 g/l additives*

The level of additives surprised me as it certainly felt like more (so much so that I ran the test three times), and I know that I’m not alone in this thinking. Higher abv would really help this bottling and if this could be presented at the 45% of their very enjoyable Selección de Maestros, that would’ve really assisted on the palate. The complexity of the nose is a delight to experience with its heavy, brooding oak, dried fruits, and the impact on the overall aroma that the French oak has had cannot be under emphasised….but sadly it does not carry through to the palate which a little dulled and lacklustre…hence the score. Could’ve been great, but my experience was found to be lacking.

© Steven James and Rum Diaries Blog 2019. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content.

That Boutique-y Rum Company Blended Rum #1 – Jamaica

Back into another Boutique-y Rum Company release. This time it’s a blended Rum comprising entirely Jamaican components. You can read a little about another Boutique-y Rum release and a little about the company itself here. Now that has been said, let’s get into its ribs.

That Boutique-y Rum Company Blended Rum #1 – Jamaica – 55% abv

The bottle hints at the use of Dunder with its skull and crossbones and bubbling, festering pit hogging the label. We also get little in terms of information. Just that the blend is composed of Pot AND Column Rum from a mix of Jamaican distilleries. Digging a little deeper we can ascertain that the blend components were distilled at some point in 2008 and bottled in 2018 making the blend 9 years old. Requesting info from Peter Holland has revealed more information. The Pot Distilled components are from Long Pond, New Yarmouth, Clarendon (Monymusk) and the Secret Distillery from Lluidas Vale…..*cough* Worthy Park *cough*. The Column component is from Clarendon (Monymusk) too.

Long Pond has seen a fair few releases recently and sitting around 18 miles away from Hampden it is also located in the Trelawny Parish. It releases very vibrant and fruity Rums from my experience with some of the continental aged products that I’ve tried and a fair few batshit mental offerings if the NRJ Velier releases are anything to go by. The VRW and STC❤️E are beautifully drinkable expressions whereas the TECA and TECC releases are monsters. New Yarmouth is the home of J Wray & Nephew and we have been fortunate to see some amazing releases from the distillery via Compagnie des Indes….Ethyl Acetate is king in these bottlings. Clarendon, the home of Monymusk and Captain Morgan produces both Pot and Column distillates and is more of a large scale modern facility. Worthy Park you will know all about.

So as you’ll see, quite a varied blend and hopefully the results will be positive….but there’s only one way to find out.

Tasting Notes

Nose: Yup. Definitely Jamaican. Definitely Long Pond. That bright, almost candied tropical fruit is first on the nose. Guava, mango and papaya. There follows a huge hefty weight of ethyl acetate bringing forth Grilled Pineapple, varnish, pear drops and glue that can only be the New Yarmouth kicking the door in. Crisp notes of white wine. There is a beautifully solid vanilla, warming oak and banana loaf backbone to the blend. This carries those bright acidic and fruity top notes and allows them to play so well together. Time brings Kola Kubes, banana jam and a hint of eucalyptus. Glorious stuff

Mouth: Initial entry is beautifully sweet with a very heated follow-up. It’s quite spirity initially and does display some of its 55% abv. You soon acclimatise to this though. Very fruity. It’s reminiscent of a mixed tropical fruit jam. A beautiful interplay of Pineapple, Guava and fresh Papaya with just a squeeze of lime juice. The mid palate brings the weight of the oak into play and this begins to dry your mouth from the tongue back. Spiced oak and pepper in turn announce vanilla, salted caramel and a beautifully sticky molasses note. The finish is not particularly long, choosing to make a sharp exit. Grilled pineapple, fresh papaya and a hint of that beautifully enticing caramel right at the back-end with lingering peppery oak dead centre of your tongue.

4.5 / 5

For me, this one is all about the nose. It’s so nuanced and interesting. You get the feeling that you’re experiencing some great individual distillates. The palate whilst it never reaches the extreme highs of the nose is superb. I have enjoyed it neat, it makes a great Milk Punch, Rum Cow and the other week I made a most enjoyable Jungle Bird with it. 485 bottles of this blend have been released and I’m on my bottle number two. I may even pick up a third before it disappears from shelves. I suggest that you follow suit.

*Hydrometer Test Result – Label stated abv 55% – Measured abv 55% – 0 g/l additives*

© Steven James and Rum Diaries Blog 2019. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content.

The Barbados GI & Why It Will NOT Threaten Diversity & Innovation

There has been talk within Rum circles and Facebook Forums about the proposed Barbados and recently completed Jamaican GI, and how there are concerns that this may stifle innovation and quell diversity. The following is the ‘as written’ response to this fallacy by Richard Seale which he has kindly agreed to allow me to publish in its entirety….and it is the best thing that you’ll read on the subject. Enjoy.

THE PROTECTION OF BARBADOS RUM

As Jamaica has completed their Geographical Indication for “Jamaican Rum” and Barbados moves to completion of their GI, it becomes increasingly important to dispel the canards around this important process.

With rum we have many canards – rum has no rules – rum is diverse and varied because of this wonderful lack of rules. Unlike other spirits, we are told Rum has no “global rules”. And that there are efforts to have a global rule which will crush our diversity.

See my takedown of this here – https://cocktailwonk.com/2017/08/richard-seales-epic-takedown-rum-no-rules.html

A recent canard is that a GI (a registered intellectual property) is a further threat to this diversity and a threat to “innovation”.

The irony of this situation is that a GI seeks to preserve and protect this diversity. It is the essential tool by which this is accomplished. And the dreaded fear of selling rum under one “unified” rule is EXACTLY WHAT HAPPENS NOW AND IS PRECISELY WHAT A GI WILL SOLVE.

If Caribbean producers sell rum into the US, it is not the standards of identity (“the rules”) of Jamaica, Martinique or Barbados that apply. It is the rules of the United States TTB that apply. That is right, despite being from three very different and diverse rum producing countries, they will be sold in the US under the same ONE rule. This means that although AGAINST THE LAW OF JAMAICA to add anything to rum besides caramel a Jamaica Rum can be sold in the US with added flavours including sugar (and labeled as Jamaican Rum) because the generic rule for Rum sold in the US allows blenders to be added to any rum.

But the situation is very different for the spirits produced by developed countries. The United States TTB will enforce the rules of Scotland for a Scotch Whisky sold in the US. The United States TTB will enforce the rules of Cognac for a Cognac sold in the US. The US will not protect a Jamaican Rum or a Barbadian Rum from adulteration in the US. The US does not control the use of the word ‘Agricole’ in the US market leading to all sorts of hideous products, not remotely consistent with the standards of ‘Agricole’ being legally labeled as Agricole

Now the US does not directly recognise GIs so creating a GI alone will not be enough to solve this issue in the US but the US illustrates the challenge of protecting our diversity very well and the GI will be the necessary first step.

The same situation applies in the EU save for the fact that the EU does recognise some GIs at this point (for example the word Agricole is protected) and it is hoped that they will recognise the GIs of Jamaican and Barbados in due course. At the moment, a Jamaica Rum and a Barbados Rum are sold in the EU under one and the same EU rule. If the EU recognises our individual GIs, it means that a Barbados Rum sold in the EU will need to meet “Barbados Rules” and a Jamaica Rum will need to meet “Jamaica Rules”. That diversity everyone wants will be protected – that dreaded ‘global rule’ for rum, avoided.

Because the EU recognises the GI for Scotch Whisky, the additional requirements to meet the standards of identity for Scotch Whisky over the EU generic standard for whisky are recognised and the label “Scotch Whisky” is protected throughout the EU. The GI for Jamaica Rum and the draft GI for Barbados pose additional requirements, over and above the generic EU definition of Rum (the “one” rule) to protect and preserve the characteristic identity of these rums. The GI is the tool by which we will protect our diversity. The GI is the tool by which we avoid having to produce under one “global rule”.

What of the claim that a GI stifles innovation?

Lets be clear as to what exactly is innovation. Marketing gimmicks that do not add value are not innovations. Changing the elements of repute in a Jamaica Rum or a Barbados Rum is not innovation. A GI is not a legal restraint on a producer. All producers continue to operate under the existing laws. A GI is a piece of intellectual property protecting how a type of “trademark” can be used – it places no law whatsoever on production. It constrains no one from producing as they please. It constrains them from labeling as they please. A Jamaican musician can play any tune just do not expect it to be called reggae unless it sounds like reggae.

So what are these innovation stifling constraints in the Barbados and Jamaica GIs:

– Barbadian trained operators

– fermented and distilled in Barbados/Jamaica

– Saccharomyces types only for yeast

– local water source only

– free of additives except caramel which must only be used for colour (Barbados draft GI has a quantitative albeit generous limit on caramel) – the same restriction in Scotch

– minimum ester levels for Jamaica rum (by marque)

– aged in oak (“small” is the Jamaica requirement, 700 litres maximum for Barbados)

– aged entirely in Jamaica (a min of two years in Barbados).

– Jamaica rum must pass an organoleptic test

I will address the wisdom of “restricting to oak” in another post, save to say that is hardly onerous and Scotch Whisky has the same “restriction”. There is a plethora of excellent oak casks available for “innovation”. One obvious point is that it keeps a point of difference between rum and cachaca and preserves an important distinction in our social and economic history.

Aging is Europe is a product of the colonial way of doing business where only limited value was earned in the colonies and product whether it be sugar, rum or bauxite was to be shipped at the lowest commodity value. Bulk brown sugar would leave the Caribbean in the ship’s hold but arrive on the supermarket shelf as branded granulated sugar. Bulk molasses sold as branded ‘treacle” once on the shelf.

The advent of continental aging therefore had nothing whatsoever to do with product quality and it is absurd as ageing Scotch Whisky in southern Spain. It simply steals value from the local producers leaving rich European brands and decrepit local operations. The Barbados GI arguably does not go far enough. Bravo to Jamaica – this “restraint” is worth millions in forex earnings. A greater share of what you pay for that bottle of rum ends up in the Caribbean with “restraints” like this.

Conforming Rums must (may?) use the words “certified Geographical Indication” on all documents including labels. Non conforming rums can be made but they will not be able to simply state “Jamaican Rum” or “Barbados Rum” and most importantly – “the use of any indication or sign which may cause a buyer to believe that a rum has the right to use the protected Geographical Indication “Jamaica Rum”, although it does not satisfy all the conditions defined in the present decree will be prosecuted”.

You cannot sell your product under another’s brand because of trademark law and you cannot sell your product under another’s protected origin because of intellectual property law. You add something to Jamaica Rum – it is no longer Jamaican Rum – that is the law of the land of Jamaica. A recognised Jamaican GI means you cannot avoid Jamaican law by selling in Europe. No more selling pure rum as “dry style rum” and sweetened rum as “rum”. In Jamaica and Barbados, rum without added sweetener is just known as rum. I have never in my life heard any Jamaican or Barbadian call it “dry style” rum. Would I dare go to Scotland and call all whiskies “dry style”? Who am I to dictate that.

So you can continue to flavour Jamaica Rum you just cannot label it in a way that may cause confusion to the buyer that they have purchased certified Jamaica Rum. The diversity and identity, created by Jamaicans, will now be protected.

Europeans created the concept of protected origins and it is used extensively by developed countries to develop and protect the intrinsic value of their products in export markets. Our time is now.

We and fellow Barbadian owned producer St Nicholas Abbey are on the record as supporting the Barbados GI as drafted.

The EU generic rule for Rum for which all Rums need to comply

The generic US TTB rule for Rum for which all Rums irrespective of origin need to comply

The US recognises and applies different rules for different types of Whisky. No such recognition for Rum – so a Rum labeled Agricole in the US need not even be from fresh juice

The US TTB will enforce the rules of different origins for different spirits but not for Rum. Even Canadian Whisky is protected.

A GI is a form of Intellectual Property – it is not a law constraining how Rum can be made

The EU will recognise GIs – they must then comply with the rules they submit through their technical file

The EU will protect a registered GI. Scotch is a GI and so Scotch sold in the EU must match the rules in the Scotch technical file, it is not enough to conform to the generic EU rule for whisky

The EU does protect some GIs for Rum. We hope to add Barbados and Jamaica to this list

An example of Cognac applying to New Zealand to say protect our origin. We need to do the same for Rum and the GI is the first step. Diversity can then be protected.

The Scotch Whisky technical file details the difference between the rules of Scotch and the generic whisky rule of the EU. They add further detail to this page.

To gain a recognised GI in the EU, a technical file must be submitted.

Jamaica has an organoleptic test requirement for its GI

I personally find it hard to understand why anyone that has an interest in the future and protection of the Rums and the people of Barbados would ever not think that the Barbados GI is an essential thing.

© Steven James and Rum Diaries Blog 2018. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content.

Don Q Oak Barrel Spiced

Don Q is a brand that has been written about on these pages previously. I will admit that although they have released some very fine Rums, I usually have a tendency to steer clear of lighter multi-column spirits….its purely a personal preference thing….though if I am compelled to go for a lighter Rum, Don Q is usually the bottle that I find in my hand. The range has some real stand outs including the very flavourful Gran Anejo and the Single Barrel 2005 and 2007 releases. The Gran Anejo and Single Barrel 2007 actually have a portion of single column distillate in them, as Destilería Serrallés has a Single Column Still made by the Vendome Copper and Brass Company. You can read a little more about the other releases along with Destilería Serrallés by clicking here and here. Spiced Rums get talked about even less than light multi-column Rums here, but in this instance we will be discussing both…..

Don Q Oak Barrel Spiced – 45% abv – Modern Rum

The first thing that may strike you is the ‘Oak Barrel’, hinting that the Rum is aged. Now that is not totally unusual as brands like Foursquare have been doing that for years with their Spiced Rum, but quite a large percentage of other brands utilise unaged Rums as the base for their Spiced products. The aged rum in question here is a 3-year-old blend of their multi-column Rum. This is then Spiced using Cinnamon, Vanilla, Nutmeg and Clove……natural spices….no flavoured syrups. Caramel will have been added for colour to give uniformity to the shelf appearance. The second thing that will strike you is that is presented at 45% abv…….most other Spiced Rums go in at 37.5% – 40% (probably as they don’t sell for a hugely inflated price, why pay the duty on a higher abv spirit) so this is a welcome change….though it does make me wish that they’d implement this in their Gran Anejo and Single Barrel releases which would really excel at a higher abv.

Tasting Notes

Nose: Initial sweetness. Cream soda. Vanilla. There is a warming spice character too (obviously) that is all Nutmeg and crystallised ginger. Light clove oil. Chocolate coated ginger biscuits and a fresh zesty orange rind. This is all carried on some pleasant oak notes being pushed along by the increased abv.

Mouth: A nice heated entry with the abv immediately noticeable. Not as sweet an entry as other spiced offerings though it feels like there is sweetener added. Vanilla, cloves and cinnamon in abundance. Quite a pleasant milky chai latte. None of the spices are ‘over done’…..and the best thing? Neither is the vanilla. There is a hint of kola nut being brought through on the dry woody accents which themselves run through the mid palate. Following the subtly sweet entry the rum finishes with drying oak, a nip from some fiery crystallised ginger and black pepper. Right at the back-end the vanilla has one last hurrah and the warmth of the spices sees it home.

It pairs well with coke in the right quantities (about 50/50 with plenty of ice) but this has been enjoyed mainly in a glass on its own or in the occasional daiquiri. As Spiced Rums go, its solid stuff.

4 / 5

We don’t consume much spiced rum here anymore, but when we do, this is one of our 3 go to offerings.

Better than 95% of spiced rums on the market and it very much models itself after the Foursquare Spiced with its aged rum base yet this offers a higher abv which is a nice touch. Now to just get them to up the abv of the Gran Anejo and Single Barrels and we’ll all be happy.

© Steven James and Rum Diaries Blog 2018. Unauthorized use and/or duplication of this material, both written and photographic without the express and written permission from this blog/sites author and owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Steven James and Rum Diaries Blog with appropriate and specific direction to the original content.